Push the guide in the Hub
love a good story
Push the guide in the Hub
When it comes to UK rap music, few are revered in quite the same way as Kano is. Present in the Grime scene from the early days, he has had five studio albums to date. Made in the Manor is his latest and stands up, hands down, as one of the best rap albums I’ve heard.
This is definitely an album that has grown on me over time. The opening songs grabbed me instantly but the later, more introspective, songs took a bit longer to get their hooks in me. But now that they have, they get better and better with every listen.
The opening of ‘Hail’ – the album’s first song – is sharp, loud and aggressive. This whole song is unrelenting throughout and Kano’s delivery is right up in your face forcing you to stand up and listen. The chainsaw melody that carries us along is later joined by the best sample i’ve heard for a long time. The sample is of Tempz, from his track ‘Next Hype’:
(CLEAR!) All of your CD rack
Next Hype, Tempz.
Won’t get none of your CD’s back
Some manner of respite comes with the next song, ‘T-shirt Weather in the Manor’, which brings with it a calm piano melody and light drumming. Kano’s vocals are no less commanding on this song with the lighter accompaniment.
‘New Banger’ and ‘Three Wheel Ups’ bring that in-your-face energy back in spades with some great featured rappers. Giggs and Wiley both feature on ‘Three Wheel Ups’ and do an excellent job of supporting Kano. Even D Double E can be heard in parts doing his signature “ooooh”.
‘This is England’ was the song that made me first sit up and take a closer look at this album. The various layers and production on this song made me realise that this album was something special. Like Charlie Sloth said in Kano’s 1 extra, this feels like a seminal record.
There were two songs that stood out to me for just how personal and confessional they sounded. ‘Little Sis’ and ‘Strangers’ feel like personal monologues directed to a sister and brother respectively. Although these songs initially didn’t grab me as his big tunes did, I have since come to enjoy them both in a whole different way.
When I first got into Kano all I wanted to hear were his big tunes – they are so addictive. But now that I’m in the habit of listening to Made In The Manor front to back, these more personal songs fit perfectly with the overall flow.
From the family you’re born with to the one you choose : all of the guest features on this album feel like they are done from a place of love. What I mean is, I imagine many rappers feature on other artists’ tracks for the chance of exposure. I could be wrong about that but it does make sense. On Made in the Manor, however, each feature feels like it is Kano and his close friends, who are just making great music together.
Whether you think you are a fan of rap or not, I urge you to listen to Made In The Manor regardless. There is so much variety in this album that I truly believe there is something for everyone. He delivers the fast-paced heavy hitters with a great level of confidence and Authority. And he delivers the more introspective songs with an honest sincerity.
Don’t be a statistic blaming ghetto physics for holding you back.
a great line from the song ‘Seashells in the East’
Along with others like JME, Akala, and Devlin, Kano is up there as one of my favourite rappers. Like those others, Kano’s sense of humour comes through in both his lyrics and his unique delivery.
He never rests on his laurels either. He could have easily delivered an hour of quick-witted, fast bars throughout and fans would have been very happy. But with Made in the Manor he has pushed himself further, whilst looking deeper within. As a result, Kano has come out the other end with a true masterpiece of an album. Not just in rap, but in all music.
Clear the kitchen in Ghost House.
Fail to capture all ghosts within the time limit in any of the rooms in Ghost House.
Clear the toys room in Ghost House.
Clear the living room in Ghost House.
Clear the Rookie level in Wanted!
Croft Manor: Collect 50% of the Documents in Croft Manor
Burst the balloon at the end of Robots Rescue (playing alone or with a friend).
Rescue the lost VR Bot down by the cliff in Robots Rescue (playing as the VR Player).
Look at a VR Bot behind you and make it wave back (playing as the VR player).
Lost to the alien invasion in Toy Wars.
Look at your BotCop partner behind you at the beginning of Wanted! (playing as the VR Sheriff).
Fire your first rocket and step into the magical world of VR!
Croft Manor: Acquire the Master Key
The Midnight are a two-piece synthwave band consisting of songwriter Tyler Lyle and producer Tim McEwan. They are from the American deep south and Denmark respectively. However, they now both live in Los Angeles and make some of the coolest music of the past few years.
They are well respected, often revered, within the Synthwave community. Their music is awash with eighties retro sensibilities and an innate ability to bring back the parts of that era we often see through rose-tinted glasses.
Nocturnal is the third full album release by The Midnight and is as strong an album as I have come to expect from them.
We open the album with footsteps on a rainy Los Angeles street. The sirens in the background and the initial synth pads that swoon in gave me similar feels to Sarah Connor before ducking into the Tech Noir. I wasn’t to know just how close to the Terminator we were going to come with this album – more on this in a moment. This first song, ‘Shadows’, is a steady beat and synth driven tune that soon showcases singer Tyler Lyle’s awesome, almost vulnerable feeling, vocals. And you best believe there is a little bit of Saxophone sprinkled in there too. This song brings you straight into the era they are shooting for with style.
It was great to hear Nikki Flores’ return after her previous collaboration with The Midnight on the previous album’s hit ‘Jason’. This time she takes the microphone for ‘Light Years’, her voice pairing perfectly with Tyler’s. Meanwhile on ‘River of Darkness’, we are treating to a different kind of collaboration. Fellow Synthwave artist Timecop1983 helps out in the production of ‘River of Darkness’, creating a stunning mid section to the album.
‘Crystalline’ is most definitely one of the stand-out songs for me on this album. It was also the first single to be shown off from Nocturnal. The vocals continue with their dreamlike delivery as we are led into what can only be described as a head nod towards Phil Collins. The drum fill that thrusts us into the wailing Saxophone solo, sounds wonderfully inspired by those infamous beats from ‘In The Air Tonight’.
The title track on this album feels like a love letter to Brad Fiedel – the composer from the Terminator. The song begins so close to one of the most iconic film themes ever written. The iconic theme I speak of is the main theme from the Terminator. Again, as with the Phil Collins flavours on Crystalline, these Terminator-esque beats are merely a jumping off point. The song soon blossoms into its own deep synth bass/beat driven beast. Noctural also featured synthesizer sounds that sounded identical to ones used in the film.
These inspirations seem to come from a place of deep love and respect for the era and the artists. As opposed to simply being a popular retro vehicle for them to write on. It’s the delicate touches throughout this album that put it in the upper circle.
Even though Synthwave is one of my favourite musical genres, I don’t tend to write about it that often. This is only due to the fact that I think I’d end up repeating myself with most albums and artists. Most I’ve heard have been great, but there are those special few that warrant the time it takes. FM-84 are one such band, The Midnight are another.
Not once was I awoken from their retro spell during this album. When listening, you will be transported to an idealistic moment of the eighties – if you allow yourself. A moment pieced together from your own memories of films and tv shows of the time. Those memories then bound together with the beautiful music from Nocturnal by The Midnight.