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  • I need to write more

    I literally started writing this post at the moment I had the thought that I should be writing more. I love the idea of being a writer and for that I know that all I need to do… is write.

    You see, I keep finding myself wanted to write about different topics that interest me, however, I keep thinking that I need to put those posts within a “branded” website.

    For example, I actively write on another blog at https://horror-manga.com which is about Horror Manga (in case you didn’t guess). And that website is fine for me to write for too. But I found myself wanted to write about other aspects of horror. And instead of just writing on this website, I keep trying to come up with brandable website ideas in order to publish them somewhere I consider to be legit.

    But this is actually keeping me from just writing about things that I want to write about.

    That’s why, as soon as I had this thought, I wanted to just write about it straight away. I want to stop trying to make myself some brandable entity and just fucking write because I enjoy it.

    And aint even gonna edit this one… warts an’ all.

    Publish.

  • What Is the Fediverse?

    The word Fediverse comes from the joining of the words “Federated” and “Universe”. It encompasses web-based social software that is inter-operable through open protocols1 and gives each person full control over their own website and data.

    (of a country or organization) set up as a single centralized unit within which each state or division keeps some internal autonomy.

    federated, from Oxford living Dictionaries

    Where are we now?

    Modern social technology, for the most part, revolves around huge central areas of power. Places like Facebook, Twitter, Snapchat, Google have become household names. But these sorts of companies are not conducive to a free and open world.

    These central powers monopolise much of the communication between people and fully own and control the data that they collect from said communications.

    Not only do they own that data, but it is their core business models to learn as much as possible about us and monetise that data for their actual customers – their investors2.

    Not only is this dangerous to a free and open world, and along with it freedom of speech, but it also strips people of their control over a huge portion of what it means to be a human being on the planet Earth today – their personal data.

    Data about people, is people.

    Aral Balkan, Cyborg Rights Activist

    Huge leaps in the right direction

    The Fediverse tips the current digital social system on its head, by enabling people to take back ownership over their digital selves. With certain services that are available, you3 have the ability to choose alternatives to mainstream technology – you have the ability to take back control, as these federated services have decentralisation built into their core.

    This decentralisation removes the giant centres we’re used to seeing, leveling the playing field and giving each person an equal place from which to speak.

    Yes, you would need to set up your own installation, or have somebody with the know-how you trust do it for you. But once you have that freedom with your very own digital home – that you truly own and control – it’s very liberating.

    Let’s use a service called “Mastodon” as an example here. Mastodon is often described as being a federated Twitter, which it is, but I think it’s important to really hammer home what that actually means. And the principles I will describe here apply to many other types of federated social sites. For example: Peertube – a federated youtube contender; and Pixelfed – a federated Instagram clone.

    It’s also worth saying that when we say something is a federated version of a current site, that current site has zero to do with them – it is just a way for people to grasp what the given federated site offers by way of general features.

    Mastodon, for example

    Mastodon is not just a single website. It is an open source project that can power anybody’s website.

    Me trying to explain mastodon in a single line.

    If I have my own installation of Mastodon (each installation is known as an Instance, by the way), then I have my very own Twitter-like website where I can share my thoughts and images with anybody who would care to read them. And if you had your own instance of it, you could do the same.

    For example, if:

    We would be at completely different web addresses. However, we would still be able to communicate with one another, thanks to the way that mastodon works. (In comparision, everyone who uses Twitter goes through https://twitter.com. So talking to one another there takes place in Twitter’s house, as it were). With federation, the communication is done so between the people involved; from their own homes.

    What makes the Fediverse federated, is its ability to enable people to have their own self-controlled instance of a service and still be able to connect with other people as we have come to love4 about Twitter et al. And imagine that, but with thousands and thousands of instances – all able to talk to one another.

    It’s going to be a long hard road out of our current situation, but it all starts here – in the Fediverse.

    And it doesn’t stop there.

    Cross-service communication

    A big tennet of federated services, is that there are no lock-ins to any particular one.

    Earlier on I mentioned some other federated services – Peertube (for video sharing) and Pixelfed (a federated version of Instagram). Let’s suppose that I have a friend who has an instance of Peertube, where they share video reviews on, let’s say the Australian soap “Neighbours”. And let’s suppose I wanted to get updates from that friend, but I only have my own Mastodon site. Wouldn’t it be cool if I could follow his Peertube site, but from my Mastodon?

    You already know what’s coming doing you? 😀

    You can!

    For example, I can follow a content creator from their own instance of Peertube, and have their messages come through in my mastodon feed. This is the exact opposite of how we are currently used to seeing online services. The big social networks have lock-ins to their own walled gardens – the Fediverse is a huge open park where people can choose to travel through it any way they wish.

    The beauty, and extra special powers, of the fediverse is that it isn’t limited to a single service. The underlying protocols (ways that the sites communicate) are designed in such a way that they can be used by any service that wishes to implement them. And those messages still go from person to person – there is no central authority to trust and / or fear.

    Joining the Fediverse

    Right now, it is hard for none-tech people to get up and running with their very own instance of a chosen service. This is the fediverse’s biggest hurdle right now in my opinion, but it is still early days and hopefully things will get easier with time.

    That being said, there are numerous community-driven instances of services that allow you to register on. This does go against that idea of self-control and ownership that I have been talking about somewhat. However, we all have to start somewhere and joining a popular community instance is a great way to try it out and even discover new friends. Plus, once you are comfortable in the Fediverse, there is nothing stopping you from starting your own instance later on down the road, should you have the technical knowledge or someone to help you do so.

    If you would like advice, I’d be happy to help where I can. Email me at mail@davidpeach.me.

    I hope you, after reading this, will give the fediverse a try for yourself. This is freedom of speech at its best on the web right now, and I encourage you to give it a go for yourself. And if / when you do, come and say hello: https://mastodon.davidpeach.me

    In Closing

    The fediverse is an agreement that the people who use social services online, indeed the entire web, should be in full control and ownership of 100% of their data. They should be free to be who they want to be, without being beholden to huge conglomerates whose only bar for success is profit for renting access to peoples private data.

    Come on over and say hello.

  • One of the most exciting pictures I’ve seen in a long while

    One of the most exciting pictures I’ve seen in a long while

    This picture is one of the most exciting pictures I’ve seen in a while. On the surface it is just three people looking at something on a computer monitor. However, for those who know and enjoy two of these people’s work, it is something to shout home about.

    Junji Ito

    The guy on the left is Junji Ito – horror manga legend and instrumental in bringing the genre to modern mainstream attention. I enjoy horror manga very much and Junji Ito is one of those authors whose work I actively search for. His art style is instantly recognisable and has created some of the most memorable and terror-inducing images and stories.

    His most well known stories are probably Uzumaki, Tomie, and Gyo. Each masterpieces in their own right and serve to solidify Ito’s position at the very top of his game. His stories, especially those mentioned, work within the horror sub-genre of ‘Body Horror’.

    Hideo Kojima

    The guy on the right is Hideo Kojima. Kojima is a name well-known and highly respected within the gaming community, and indeed the wider community of action and story telling. He is the man responsible for the Metal Gear Solid series whose reputations really do precede them.

    Each of the games of Kojima’s that I have played I have fallen in love with. The first two Metal Gear Solid games, the first on the Playstation and the second on the Playstation 2, were such important games to me growing up, with me being about fifteen years old and eighteen years old respectively when they were released.

    These games were some of the most memorable gaming experiences that I have ever had and have definitely stayed with me to the present day.

    Why this picture is exciting

    To have both of these people present in the same photo, apparently reviewing something together in an office, s exciting. The had previously been working together on what was going to be a new Silent Hill game. The very thought of that even being a possibility is cause enough to lose your shit over. Junji Ito’s twisted and macabre creations within a world created and directed by Kojima…

    …But it was never to be. Silent Hills, as it was called, was cancelled and they both went their separate ways. And that was that…

    …Or was it?

    Death Stranding is the game that Kojima and his team are currently working on, which is exciting in itself. However, when you take the recent image above and consider the very real possibility that the two masters themselves could in fact still be working together, whole new levels of awesome enter into the mix.

    Original source of image here.

  • Blue Lips [Lady Wood Phase 2] by Tove Lo

    Lady Wood was one of my favourite albums from last year and still gets regular plays in my headphones. I was excited to say the least when I heard about Tove Lo’s follow-up Blue Lips [Lady Wood Phase 2].

    A continuation of Lady Wood

    This album felt more akin to the sweaty underground night clubs I imagine with her music. The kind of clubs where people are pressed tightly together; almost tasting each other’s sweat. The previous album had these moments but Blue Lips felt like these aesthetics were brought more into the foreground. The album’s intro and following lead single, ‘Disco Tits’, gave me the impression that a more deep bass / drum-driven collection of songs were contained.

    There was a song from Tove Lo’s short film Fairy Dust, specifically the closing scene… that closing scene, that I didn’t recognise at the time. So I loved it when that very song, ‘bitches’,  came punching through my headphones to close off this album’s first half.

    It’s not all boom boom boom

    Although I like a good punchy beat-driven album now and again, I was relieved when I heard ‘Don’t ask don’t tell’, the album’s fifth track. It’s proof that she knows, as she sings on Disco Tits, how to dial it back. ‘Don’t ask don’t tell’ is more focused on her beautiful vocals and the direct message of acceptance she’s delivering to her other half in the song.

    And baby, don’t ask, then don’t tell
    Already know you’re fucked up
    And it’s cool with me
    My past and don’t ask and don’t tell
    No need to share too much
    Come on, let it be, ah (and baby)

    dont ask dont tell – Tove Lo

    This feeling is continued later in the album with the reminiscent ‘9th of October’, which actually started life as a poem that Tove wrote on her Birthday. This, along with the album’s closing track, ‘hey you got drugs?’, are two of my favourite songs from the album.

    NSFW (not safe for work)

    As I’ve come to expect from Tove Lo’s work, there is a high degree of sexual content in these songs. She’s definitely an artist who goes to places that other artists I listen to don’t. She’s not afraid of exposing herself, both physically and mentally, for her art and I respect that. I say that, not as a pervy guy just looking for filth, but as someone in admiration for her honesty and close to the bone approach to music.

    Singers often sing about sadness; happiness; fear; love. But very rarely do they venture into the realms of the sexual. This too is an important part of what it means to be human, so why shouldn’t artists explore these issues too? Tove Lo seems to make up for the more reserved artists by spending a good portion of her album there.

    In Summary

    As great an album as I have come to expect from Tove, following her Lady Wood. Blue Lips is the continuation of her exploration and revelations in her relationships and the emotions they bring. Although I didn’t find this album as accessible initially, I still love to listen to it when the mood hits me right. And don’t take me to mean less accessible as a bad thing – it’s not. I just find Lady Wood a lot easier to listen to at any time, whereas Blue lips has its time and place for me.

  • Made in the Manor by Kano

    When it comes to UK rap music, few are revered in quite the same way as Kano is. Present in the Grime scene from the early days, he has had five studio albums to date. Made in the Manor is his latest and stands up, hands down, as one of the best rap albums I’ve heard.

    This is definitely an album that has grown on me over time. The opening songs grabbed me instantly but the later, more introspective, songs took a bit longer to get their hooks in me. But now that they have, they get better and better with every listen.

    Welcome to the jungle

    The opening of ‘Hail’ – the album’s first song – is sharp, loud and aggressive. This whole song is unrelenting throughout and Kano’s delivery is right up in your face forcing you to stand up and listen. The chainsaw melody that carries us along is later joined by the best sample i’ve heard for a long time. The sample is of Tempz, from his track ‘Next Hype’:

    (CLEAR!) All of your CD rack
    Won’t get none of your CD’s back

    Next Hype, Tempz.

    Some manner of respite comes with the next song, ‘T-shirt Weather in the Manor’, which brings with it a calm piano melody and light drumming. Kano’s vocals are no less commanding on this song with the lighter accompaniment.

    ‘New Banger’ and ‘Three Wheel Ups’ bring that in-your-face energy back in spades with some great featured rappers. Giggs and Wiley both feature on ‘Three Wheel Ups’ and do an excellent job of supporting Kano. Even D Double E can be heard in parts doing his signature “ooooh”.

    Kano and Giggs in the Three Wheel Ups video

    ‘This is England’ was the song that made me first sit up and take a closer look at this album. The various layers and production on this song made me realise that this album was something special. Like Charlie Sloth said in Kano’s 1 extra, this feels like a seminal record.

    All in the family

    There were two songs that stood out to me for just how personal and confessional they sounded. ‘Little Sis’ and ‘Strangers’ feel like personal monologues directed to a sister and brother respectively. Although these songs initially didn’t grab me as his big tunes did, I have since come to enjoy them both in a whole different way.

    When I first got into Kano all I wanted to hear were his big tunes – they are so addictive. But now that I’m in the habit of listening to Made In The Manor front to back, these more personal songs fit perfectly with the overall flow.

    From the family you’re born with to the one you choose : all of the guest features on this album feel like they are done from a place of love. What I mean is, I imagine many rappers feature on other artists’ tracks for the chance of exposure. I could be wrong about that but it does make sense. On Made in the Manor, however, each feature feels like it is Kano and his close friends, who are just making great music together.

    Summary

    Whether you think you are a fan of rap or not, I urge you to listen to Made In The Manor regardless. There is so much variety in this album that I truly believe there is something for everyone. He delivers the fast-paced heavy hitters with a great level of confidence and Authority. And he delivers the more introspective songs with an honest sincerity.

    Don’t be a statistic blaming ghetto physics for holding you back.

    a great line from the song ‘Seashells in the East’

    Along with others like JME, Akala, and Devlin, Kano is up there as one of my favourite rappers. Like those others, Kano’s sense of humour comes through in both his lyrics and his unique delivery.

    He never rests on his laurels either. He could have easily delivered an hour of quick-witted, fast bars throughout and fans would have been very happy. But with Made in the Manor he has pushed himself further, whilst looking deeper within. As a result, Kano has come out the other end with a true masterpiece of an album. Not just in rap, but in all music.

  • Nocturnal by The Midnight

    The Midnight are a two-piece synthwave band consisting of songwriter Tyler Lyle and producer Tim McEwan. They are from the American deep south and Denmark respectively. However, they now both live in Los Angeles and make some of the coolest music of the past few years.

    They are well respected, often revered, within the Synthwave community. Their music is awash with eighties retro sensibilities and an innate ability to bring back the parts of that era we often see through rose-tinted glasses.

    Nocturnal by The Midnight

    Nocturnal is the third full album release by The Midnight and is as strong an album as I have come to expect from them.

    We open the album with footsteps on a rainy Los Angeles street. The sirens in the background and the initial synth pads that swoon in gave me similar feels to Sarah Connor before ducking into the Tech Noir. I wasn’t to know just how close to the Terminator we were going to come with this album – more on this in a moment. This first song, ‘Shadows’, is a steady beat and synth driven tune that soon showcases singer Tyler Lyle’s awesome, almost vulnerable feeling, vocals. And you best believe there is a little bit of Saxophone sprinkled in there too. This song brings you straight into the era they are shooting for with style.

    It was great to hear Nikki Flores’ return after her previous collaboration with The Midnight on the previous album’s hit ‘Jason’. This time she takes the microphone for ‘Light Years’, her voice pairing perfectly with Tyler’s. Meanwhile on ‘River of Darkness’, we are treating to a different kind of collaboration. Fellow Synthwave artist Timecop1983 helps out in the production of ‘River of Darkness’, creating a stunning mid section to the album.

    Inspired by the greatest

    ‘Crystalline’ is most definitely one of the stand-out songs for me on this album. It was also the first single to be shown off from Nocturnal. The vocals continue with their dreamlike delivery as we are led into what can only be described as a head nod towards Phil Collins. The drum fill that thrusts us into the wailing Saxophone solo, sounds wonderfully inspired by those infamous beats from ‘In The Air Tonight’.

    The title track on this album feels like a love letter to Brad Fiedel – the composer from the Terminator. The song begins so close to one of the most iconic film themes ever written. The iconic theme I speak of is the main theme from the Terminator. Again, as with the Phil Collins flavours on Crystalline, these Terminator-esque beats are merely a jumping off point. The song soon blossoms into its own deep synth bass/beat driven beast. Noctural also featured synthesizer sounds that sounded identical to ones used in the film.

    These inspirations seem to come from a place of deep love and respect for the era and the artists. As opposed to simply being a popular retro vehicle for them to write on. It’s the delicate touches throughout this album that put it in the upper circle.

    Summary

    Even though Synthwave is one of my favourite musical genres, I don’t tend to write about it that often. This is only due to the fact that I think I’d end up repeating myself with most albums and artists. Most I’ve heard have been great, but there are those special few that warrant the time it takes. FM-84 are one such band, The Midnight are another.

    Not once was I awoken from their retro spell during this album. When listening, you will be transported to an idealistic moment of the eighties – if you allow yourself. A moment pieced together from your own memories of films and tv shows of the time. Those memories then bound together with the beautiful music from Nocturnal by The Midnight.