David Peach

What is Gathering about?

Umehara is in the throws of grief over the passing of his girlfriend. We join him as he is being consoled by his good friend, Miyagawa, who offers a hand to help. Miyagawa invites his friend to a gathering that he has been regularly attending, but it is a gathering like no other.

On arriving, Umehara finds a room full of men on their knees all looking towards an empty chair on the room’s opposite wall. The whole place has the air of a cult, with those suspicions being solidified once the target of these men’s attention appears. It is Tomie. All of the men go wild and Miyagawa reveals that he has brought his friend as a gift to Tomie in order to receive a reward.

Tomie seems taken by Umehara immediately, however, he couldn’t care less about her. It seems his love for his recently passed lady are just too strong. As the story moves forward, Tomie tries to work out why she has no effect on him. Her failure leads to her turning her worshippers against him in response. But what is truly shocking, is when the inevitable happens and the crowds of men move past the infatuation stage, and into the “I just want to kill her and cut her up” stage. By the end of this gathering, things get rather messy – and perhaps not for the reasons you may first think.

An army of the obsessed

This story is about Tomie’s power of obsession over men, except it’s turned up to eleven. She essentially has an army at her disposal, and chooses to have them shower her with complements and gifts. She will demand for them to make her laugh; to entertain her in any way she shes fit. But when she doesn’t get her way, as is the case with Umehara, you’d better not be in her path.

The power that she has over these men is potent. And the conclusion of such an odd situation – with these men all sitting at her feet in a growing internal frenzy – could only lead to bad things. The whole chapter feels like a boiling pot of water just waiting to break over the sides. The final panels present a suitably violent scene for such a dangerous, high-pressure atmosphere.

In Summary

Not a favourite of mine in the Tomie Collection, but still a very worthwhile addition to its overall world. Here, Junji Ito is focusing in on the side of Tomie that drives men to obsess over her – and to do anything she asks in order to please her. Although it isn’t very large in scope, when it is digested along with all of the other chapters, really give a complete picture of this Queen of horror manga.

I don’t think this would be the best chapter to serve as an introduction to the lady. Although most of what you see in here would have been seen before in earlier chapters, there is one part that I believe is new. She manages to force herself into the reoccurring dreams of Umehara. Whether it is her doing or just from the effect she’s had on him, is not clear. So perhaps she manages to win him over after all?

If you are an existing fan of the series and want to see more of what you have come to enjoy from Tomie, then Gathering will make a fine addition to that repertoire.

What is Babysitter about?

In Babysitter, the story is confined to one small room throughout its entire 22 pages. That small room has the look of a cell, but is in fact a baby’s nursery. The babysitter herself is a young woman named Erita, who arrives at an elderly couple’s home in the opening pages. She is quickly introduced to the couple’s baby, although without actually seeing it properly, before being shown into the nursery.

Once in the nursery, Erita is locked inside with the baby. The couple tells her that they’ve had past babysitters run away during the job, so this is merely a precaution from them. After the brief explanation to the situation, Erita is encouraged to pull back the baby’s blanket. Can you guess what she finds underneath? That’s right – underneath the blanket is not a baby at all, but what she believes to be a little monster. However, us as readers of this series will recognise it as being a regenerating Tomie.

Once the couple have left Tomie (the baby) and Erita alone, Tomie begins to cry and slowly drive Erita mad. Babies crying in general, to those outside of their family, tend to have that shrill, piercing effect on many. But couple that with the powers that Tomie has and you have a deadly mixture. As it turns out, the only thing that can calm the small Tomie is the colour of red, which Erita slowly realises she must use to her advantage. But in such a small, confined space that colour is sparse – save for the blood in her veins and the growing number of town fires outside the window. Oh yes the fires – I didn’t even mention those did I?

Confined in space and story

Babysitter is very much a confined story. Not only does it trap our heroine, Erita, inside a small cell with this demon baby Tomie, but it also focuses the story there too. Except for the opening panels with Erita travelling to the home, we only see things from her perspective within that room. Even whispers and rumours from outside are learned from her spying outside of the barred window. We only know what she knows.

Tomie’s madness is always something to be feared, but generally when people start to feel the effects, they have the opportunity to run or hide. However, in this small locked room, the babysitter Erita has no choice but to withstand and eventually comply with Tomie’s demands.

Despite the story taking place solely within this nursery, don’t be fooled into thinking that this has no extra layers. There is in fact a wider story going on outside the window, which actually has a big impact on the overall story. And not only that, but only the future of both Erita and Tomie.

In Summary

I find this chapter to be a very charming one. Something about it makes it one of my favourite from the collection. It has a certain charm in how it focuses in on the doomed relationship between Erita and Tomie. Although the story doesn’t really take us to many places, I find it does quite a lot in the space it does have.

I always find it more interesting somehow, when artists work within certain constraints, whether self-imposed or not. In this, Junji Ito has limited himself to a single room and seen what he can create from it. For me, he has created a short but nonetheless very entertaining segment of Tomie’s life. At least one of her many lives anyway.

What is Moromi about?

In Moromi, Junji Ito mixes things up a bit, centring the entire chapter around the attempted disposal of an already-killed Tomie. Not only has she already been killed, but her former partner – Ishizuka – is busy mashing her remains into a fine paste on the floor. And even though he is putting a lot of work into it, her bloody remains seem to not be getting any smaller. In fact, he has noticed that the flesh seems to be getting larger in volume.

In order to get some help, Ishizuka invites his friend Nagaoka round. Once he arrives, he is told about the strange situation going on. Ishizuka brings him up to speed, revealing that he has discovered that the pieces of Tomie seem to be regenerating. Tomie just can not die. He explains how he has tried to fight the growing flesh, by cutting it up as small as possible. However, he now has buckets and buckets of her remains that are still growing out of all proportion with no way of disposing of it.

His friend then comes up with a very strange method of disposing of the meat. And this is where the story gets a bit odd, at least within the context of Tomie. They both travel to Nagaoka’s parent’s Sake factory, where there are huge tanks of mixing vats. These mixing vats are where the family Sake is produced, and it will also become the target for Tomie’s disposal. They begin mixing in parts of the flesh piece by piece into the Sake mix. This begins to have a very strange effect on everyone as the vapours begin to circulate round the factory. Not only that, but when they decide to taste the new recipe things really get turned up a notch in strangeness.

Regeneration

This is a story that focuses solely on Tomie’s regenerative powers. But not as we’ve seen before from complete limbs or cuts in the body. Instead, this is regeneration from the mangled, squashed flesh of a once-beautiful woman. Her appearance in this chapter is relegated mostly to being just that of buckets of body parts and ooze. Except, that is, for the spirit hallucinations that occur once the vapours being to rise. It reminded me of the chapter Hair in that respect, as she didn’t appear completely in that one either.

There isn’t as much elegance attached to her here either, due to the fact that she spends the time as buckets of chopped-up flesh. This chapter is a much grittier, dirtier story than we’ve come to expect so far from the Tomie Collection. For that reason I enjoy it on its own level from others. I believe that Junji Ito must have approached this story in a very tongue-in-cheek manner. Just the fact that the friends very first suggestion, and the one that they actually go with, is to shove her parts into Sake vats in his family’s factory. It’s so ludicrous, but its one of those stories that always makes me smile.

Not only is it a fun and silly one, but it provides some much-needed relief after the much darker events of the previous chapter “Boy” too.

In Summary

This isn’t a chapter that features highly in my favourite Tomie stories, but it is still enjoyable nonetheless. I loved the juxtaposition of the opening panels – with the loving words from the boyfriend, followed by him beating her corpse into the ground.

This is another standalone chapter, which I think is suitably placed with its other chapters. Moromi sits comfortably in the middle of the overall collection. And while not the best there is, is definitely worthy of your time in reading.

What is Boy about?

Satoru is a young boy whose parents have recently moved them all to live by the sea. It was the father’s thinking that it would be good for a young child’s health and growth – how wrong he was. While wandering the beach alone, Satoru stumbles across a small cave with a pool of dark red coloured sea water inside. On closer inspection he finds the body of a young woman floating to the surface – her face cut to pieces but miraculously, still alive.

The young boy befriends the woman, who introduces herself as Tomie. As their friendship grows, she convinces the boy to help her in her recovery. First with bringing her food and some clothes form his mother’s wardrobe, followed by her having him steal a fancy dress more “befitting” of her. Tomie has the boy completely under her spell, even convincing him to call her “Mommy” from now on.

Satoru’s sanity declines very fast, as his obsession over his new mommy drives him to do some very bad things. Eventually, the parents notice that something strange is happening, and do their best to stop it. But will the boy’s parents be able to break the hold that Tomie now has on their son? Or have they tried to help him too far down the track; are they too late to save their only son?

The darkest Tomie chapter

Throughout our looking into the stories from the Tomie Collection, we have come across some pretty dark themes. However, this chapter sits up top for me as being the single most darkest one. Simply down to the fact that it involves the corruption and gradual insanity of a young boy. Junji Ito is most definitely not afraid to explore areas of his world that other people would perhaps be too afraid to conquer.

Characters who cross Tomie’s path generally have a pretty bad time with her. But when it comes to children, the horror becomes that little bit more scary. Ito has a talent for getting under my skin, and indeed many other people’s skins. However, this is where he officially got all of his claws in and asked “Are you ready to go deeper and darker?”

I remember having similar feelings from a chapter within Dissolving Classroom, where the young girl – Chizumi – has a boy her age kidnapped. But I think that Boy just pips that one to the post, as it goes pretty deep into how Satoru is changed at his very core. And how he transforms very quickly from innocent to cursed. So much so that it sets in motion the events for the rest of his tainted life. The final few panels that detail the boy’s adult life were pretty heartbreaking.

In Summary

Depending on your disposition, this could be quite a tough one to get through. This is all down to the fact that throughout the entire story, Tomie is corrupting a very young boy and moving herself into his mind as his mother. This is a big splinter that risks breaking the family right down the centre. The fact that she has no reason whatsoever to bring terror upon these people, makes it very easy to hate her completely.

I have mentioned in the past about how she had some characteristics that I enjoyed about her – even liking her at times. But in this chapter, Tomie is without redemption; without reason; and is at her most callous and destructive from start to finish.