The Last of Us review

The Last of Us was released in 2013, yet i didn’t get to play it till three years later. But when I did, it quickly became one of my top three games of all time. Its whole world and the characters within have somehow become a part of me. Joel and Ellie have become two of the most important characters in my life.

What’s The Last of Us about?

After one of the most emotional game intros I’ve ever experienced, we are placed with our hero, Joel, twenty years into a Post-apocalyptic world. Early on in the game you are entrusted to look after 14-year-old girl, Ellie. This is where it all begins – one of the most important relationships in gaming history starts right here. You are tasked with getting her safely to a group called ‘The Fireflies’, the reasons for which I wont reveal here, and of course it’s not simply a case of walking from A to B.

Once Ellie is with you, she will follow you wherever you go and you must protect her at all costs. But don’t get mistaken that protecting her means she is helpless; quite the opposite is true in fact. As the game progresses you will find that Ellie is just as tough as Joel, if not more so. They both come to rely on each other for survival.

You will end up travelling across America in your mission, encountering some interesting and downright terrifying people. The locations too are beautiful to explore, with the suburbs; the University of Eastern Colorado; a snowy lakeside resort; and more. All of which have been subject to the unstoppable spread of both mother nature and the deadly virus. The combination of overgrown flora and fauna, along with the ever-mutating infected, make for some simultaneously beautiful and grotesque imagery.

Infected everywhere

The infected that you encounter on your journey can be really tough at times, with all-out gun fights being the worse option to take. The infected people are found at different stages in their individual mutations, with each stage having its own strengths and weaknesses. The most iconic of these stages is probably what are known as ‘Clickers’. These mutated festering people have one of the most iconic sounds I’ve heard – their namesake ‘Clicking’.  They use this as a form of echo location due to their being blind as a bat.

There’s nothing quite so brutal as the moment a clicker grabs a hold a bites down hard.

A game of character

The emotional thread that runs through this game is much stronger than any of the make shift melee weapons that Joel can fashion. The core of The Last of Us is the father/daughter relationship between Joel and Ellie that gets stronger and stronger as time goes on. Although he is initially cold towards her, treating her simply as his current mission, you will see how their bond becomes tighter with each step they take. One of the real great parts of this character development too, is the subtle exchanges of conversation that happen in-game, when you are playing.

It is hard to talk about the characters in this game without drawing comparisons to The Walking Dead. What both The Walking Dead and The Last of Us do so well, is deal with the conflicts between humans themselves. Even though humans as a species have a common enemy in the viral outbreak, there are still separate factions that arise that will kill one another for control and supplies instead of working together.

As strong and positive as the relationship between Joel and Ellie is, there is darkness out there that would see them torn apart. This darkness could not have been portrayed any better than by David. The build up through the Winter chapter to its violent conclusion is one of my favourite scenes in gaming. And that’s all I’ll mention of it.

Multiple playthroughs

I’d never before finished a game and immediately, after the credits, hit ‘New Game’, but with this one I did. I just couldn’t wait to get back into this world once again. Once I knew the story and where conflicts would occur, I found I could take in more of the environment. I would start looking carefully at every little detail in the world around me, ever-impressed with the level of care.

When you replay through at the same difficulty you keep all weapon and character enhancements you gained first time through. This made me feel like a bad ass and I actually went looking for fights.

In Conclusion

It’s rare that a game, or even a film, that gets such high praise and surrounding hype actually lives up to it, but The Last of Us does. It’ll have you laughing at the funny interactions between the characters; it’ll have you terrified and scared for your life. It may even have you questioning the things that you really hold dear in this world of distractions and excess.

The Last of Us not only lives up to its reputation, it dwarfs it.

Stop worrying about your niche – just write

Every single regurgitated blog post I see about starting a blog always says the same thing – find a niche and focus on targeting it. This can be a toxic idea as it has the power to both limit you and paralyse you from writing.

I’m not saying you shouldn’t have a focus in your writing, just don’t let finding a focus stop you from writing.

My advice to anybody out there wanting to start a blog is this – just open a free WordPress.com account and get writing. I mention WordPress as it is cloud-based, free, and has the ability for you to export your posts when you are ready to move to a self-hosted solution.

Just start writing.

Even the process of setting up a self-hosted WordPress site can be danuting for new people, but that’s okay. You shouldn’t need to worry about these steps when you are just starting out.

I highly recommend that you do have a self-hosted website eventually, just don’t let setting one up hinder you from any writing you could actually be doing.

You don’t need to feel that you have to publish everything you write either. Just writing for writing’s sake is good for you. Obviously if you can share your thoughts and experiences with the world then that’s all good, just don’t feel you have to.

Tropic of Cancer by Roslyn Moore

Roslyn Moore is back with her second desert opera, Tropic of Cancer.

I was an immediate fan of Roslyn’s as soon as I first heard her stuff on Soundcloud over a year ago. So the announcement of this new album did get me excited.

Evolution of the desert opera.

Tropic of Cancer is the new album by Roslyn Moore, which builds upon the material from her previous album Hazy. Those older songs – some of which have a different sound to them, coupled with 9 new songs – make for a deeper and darker Roslyn Moore experience on this album.

I’ll first address the elephant in the room. Yes, all of her songs from Hazy are on this new album but what you have to remember is, is that these songs have been available for free on Soundcloud since their release. With this, I tend to think more that she is working out her sound and albums in the public space. Kind of like if a painter uploaded her pictures in stages as she was painting them. The same emotional and ideological core, but each iteration building on the last into a stronger end piece.

Some hand-picked favourites

There were a few songs that immediately stuck with me from Tropic of Cancer. These tended to be ones that sounded like she was experimenting with her sound.

Roslyn Moore

Starting with the ebbing and flowing of quiet percussion, The Great Escape/15 Rounds was refreshing to hear from Roslyn. The percussion starts and stops with her spoken lyrics continuing, giving it a 50/50 mix of accapella and accompaniment. It gives the song a really interesting sound that is unlike anything Roslyn has done before.

Speaking of things she hasn’t done before – scaring the hell out of me is one of them. The last quarter of Hazy/Agents At The Ferris Wheel took a complete left turn into what I can only describe as a drug-induced, Industrial nightmare. I was nodding off to her calming vocals and this thing just hit me off guard.

It scared the absolute living shit out of me. Good job.

Probably my favourite on the album is a song called Coke&Weed. With its marching-band / jazzy / guitar-kissed infusion, this song has so many interesting parts to it that I keep going back for more. This song would sound so fucking awesome played live in the Road House on Twin Peaks.

In closing

You should think of Tropic of Cancer as more of a transformation from her previous album. All of the songs from her previous album, Hazy, are on here – but so too are 9 new songs. Not only that but some of her previous songs sound like they have been redone / remixed.

I love that Roslyn is still pushing her music forward, experimenting with new ideas, whilst still remaining true to her emotional centre. These songs are still soaked in a dark melancholy, only this time she’s coming at it from new angles and with new styles.