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The whole section of mountain traversal, to connect the various remote people posted up there, has been incredible, stressful and rewarding.
The sense of scale in this game really hits you when you start to lose consciousness at the highest altitudes in the game.
Coming over a mountainside, approaching my destination finally, to be greeted by this spectacular view of the moon in the night sky.
Easily one of my favourite shots so far in the game.
The Ones who live has immediately gone up as one of my favourite series in The Walking Dead universe.
Top spot of course is Negan’s introduction. Holy Christ that was intense.
But I gotta say that after finishing the six-episode series of this Rick and Michone spin-off, it has catapulted up to near the top.
And it was a single moment that solidified it for me.
Now I always enjoyed watching Rick grow increasingly capable and deadly as the series moved forward.
I was lucky to start watching The Walking Dead when series three was just coming out, so I didn’t have too much catching up to do.
And it also meant that I’ve been able to see the characters grow steadily over the years, including Rick’s son, Carl.
So when the scene in episode four “What We” came on, where Rick opens up about Carl and the effect that his few years imprisonment has done to his memory of Carl, it destroyed me.
I’ve always been easily triggered by these sorts of emotional scenes. However, since having children of my own recently, it’s basically changed how I see pretty much every thing.
Everything has an additional dimension to it now, it seems.
And the fact that in that scene’s flashback, Carl is shown as being of toddler age — the same as my son — honestly it couldn’t have cut any deeper for me in the world of The Walking Dead.
Trekking back across the mountains to re-build the monorail lines.
This is truly one of my favourite aspects of this game. Just wandering with a self-appointed mission to rebuild things.
Walking at night. Delivering.
Taking the acquired coffin back to the mechanic across the desert.
The colour of the coffin and the sand seemed to mesh really well so I grabbed some shots.
This is my favourite.
Only hopped on for 10 minutes while I had free TV. And whilst I was collecting chiral crystals on the shore north of the motherhood, and saw this in the sky.
Just absolutely stunning.
This game just keeps on giving from every angle.
If you’re a developer excited at the prospect of an AI chatbot / plugin doing most of your dev work so you can “Be mOre PrODuctIvE”, maybe you’re in the wrong profession.
This is a test post for EMA
This cut scene was just incredible to experience. Laughing out of pure joy.
Pure Kojima.
