On New Year’s Day I saw my first film of the year — Star Wars : The Rise of Skywalker. In all honesty I was expecting to not like it all that much, mostly due to reviews and comments I’d heard from people I know.
But you know what? I really enjoyed it. It was a fun and visually stunning two-and-a-bit-hour romp across the galaxy. A true good versus evil tale that left me feeling like I’d had a good time at the cinema. And that is precisely what I was hoping for.
If I’m honest I was hoping for more fight scenes with Rei and Ben as allies, like in the previous film The Last Jedi.
The one thing that really did take me out of it though is the kiss between Rei and Ben right at the end. I didn’t feel that it was needed at all, and just felt weird to me. Is there really a need for the climactic kiss in every film?
But on the whole I really enjoyed it. I’ll probably watch it again whilst it’s on at the cinema.
As an aside, I don’t get why there is always a group of people who lose their shit when something in the Star Wars universe doesn’t go how they thought or wished it would. People who presumably consider themselves “true” fans or “die-hard” fans. To those haters I’d just like to say either get over your sense of entitlement or just watch a different film.
Suspiria may be the single most evil film I’ve ever seen. The colours; the music; the suspense throughout. Just stunning.
The Bird with the Crystal Plumage was great! Another Dario Argento film off the list. 💚
The Neon Demon is one of my favourite films of recent years. I wrote up my thoughts on it a while back. Here are some of my favourite posters that I’ve found, created by other fans of the film.
Neon Demon pink and purple posterNeon Demon poster 2 by GlitchwayNeon Demon poster by GlitchwayNeon Demon poster by Luke Andrew Sattler
I really need to get and watch AHS: Apocalypse before this next series starts. I absolutely adore this show, but I always seem to wait until the next one is coming out before catching up.
1984 looks freaking awesome though – just the concept alone. Can’t wait.
A Nightmare on Elm Street is one of the most recognisable titles in cinema – as is it’s villain, and star, Freddy Krueger. I felt the urge to re-watch this film after my recently-formed gaming obsession with Dead By Daylight. I was pleasantly surprised by the fact that much of the film still holds up to modern viewing.
What is A Nightmare on Elm Street about?
A Nightmare on Elm Street follows four high-school kids, who are all experiencing almost identical nightmares. Nightmares about a mysterious burnt man in an old jumper and hat with knives for fingers. This figure is none other than one of cinema’s most charismatic antagonists – Freddy Krueger.
Freddy has long been dead, but has since returned to feed on children’s fear within their dreams in order to kill them. While alive, Freddy was exclusively a child killer – and possibly worse in the originally draft – which makes him one of the most despicable of his contemporary killers. Yet, perhaps intentionally, this is juxtaposed with his bouncy, playful actions and the fact that through the course of his films people have come to regard Freddy as a “cool character”.
It isn’t long until one of the children Freddy is hunting, Nancy, takes it upon herself to stand up and fight back against him. This ultimately leads to a showdown where you’ll want to throw your fists up and shout “Fuck Yer, Nancy!”.
The Effects still hold up
When the Matrix came out in 1999 it blew most people away with its cutting-edge, computed-generated, effects. Less than ten years later and those effects sure did start to look dated – more so now. However, with films that focused on created actual physical effects, this dated effect is lessened quite substantially in my opinion.
A Nightmare on Elm Street, although cheesy in parts, still holds up strongly with its physical effects. Especially those bedroom death scenes from both the start and end of the film. R.I.P. Johnny. And Freddy is every bit as menacing and full of charisma as I’d remembered from watching it years ago.
It’s great when modern films take a leaf out of the books of films like this one. You really can’t beat the authenticity of good-old physical effects. Especially in horror.
A personal favourite favourite of mine of all the film’s effects, is when Nancy is asleep at Tina’s house. Freddy can be seen pushing his way through the over-arching bedroom wall from the other side. And although it’s not too difficult to work out how this could be achieved it is still effing terrifying and highly effective.
Freddy is still rock n roll
Freddy Krueger is one of those pop culture horror icons who sits beside all of the greats. He sits with characters such as Michael Myers; Pinhead; Jason and Leatherface. He was played so perfectly by Robert Englund and like Doug Bradley for pinhead, will always be tightly linked to his seminal role.
Interestingly what differs Freddy from many of his contemporaries, is his sense of humour and playfulness with his victims. Michael Myers was a silent shape in the darkness; Jason too was silent; Pinhead spoke only in a deep, almost poetic manner. But Freddy just toys with his victims in his cheeky, tormenting way.
Freddy has been a really fun villain to revisit and I’m looking forward to re-watching the other films too. This includes one I’ve never seen before – Wes Craven’s New Nightmare. I’ve heard good things about it so will get a hold of that when I can.
In Summary
A great horror film that I think still holds strong today. Wes Craven unknowingly created an icon that would go on to become a household name – like Kellogg’s Corn Flakes and Coca Cola.
If you’ve never before seen A Nightmare on Elm Street, I urge you to give it a watch. Yes there are some aspects of it that will be dated, such as the fashions and the acting in places. But this really is an important horror film like all of the top films lists repeat. You wont sleep easy till you watch this film.
With its gorgeous visuals and pulsing soundtrack, Neon Demon is a film that I won’t be forgetting in a hurry. The majority of the story felt to me like it was floating in and out of the conscious mind, with an increasing level of abstract as it went on.
What’s The Neon Demon about?
The Neon Demon follows fresh-faced, 16-year-old model Jesse, played by Elle Fanning, as she enters the harsh world of fashion modelling. We follow her from her first demo photos – featured in the poster above – to her quick rise to fame. With her sudden rise she attracts enemies within the business and even some avid admirers.
By the film’s final scenes I found myself slack-jawed, not quite believing what I was seeing; you could say it left me slightly haunted.
Elle Fanning in Neon Demon
Bold and beautiful visuals
The fact that this film has such an easy to follow story, allowed me to get completely caught up in the rich atmospheres that the director, Nicolas Winding Refn, put together. Neon Demon felt almost like a dream for the most part. In fact even some moments that were grounded had elements of a dream / nightmare in them (the scene with the mountain lion for example). The colours throughout were so refreshing to me as well. The vibrant purples and blood reds gave my eyes a real treat with the bold shots they created.
The film reminded me quite a bit of italian giallo films – those ones that are really unsettling to watch – like “Suspiria” or “Cat O’ Nine Tails”. Just something about them isn’t quite right – some kind of horror that is sitting just beneath the film’s surface. The music only served to enforce this for me and felt somewhere between Giallo and Synthwave – a great combination.
Bathroom scene in Neon Demon
In Closing
As with Mother! from last week, Neon Demon is another one of those films that defies an easy grouping. There are elements of horror, thriller, very black comedy and even touching on very *taboo subjects. However, those elements are woven into the fabric of the film to create a single, altogether unique viewing experience.
I was thinking about this film still days after I’d watched it. Proceed with caution and an open mind.
*(I can’t really mention the taboo subjects without giving away key events. What I can say is that they aren’t for the faint of heart.)
I will always remember the original TV mini-series of IT with fondness and nostalgia; it was the first thing I watched that scared the crap out of me. I was extremely wary, I might even say pessimistic, about the new theatrical version to come out this year. However, after deciding to give it a chance I found that I came out of the film very happy.
From what I’ve gathered, this newer version stays closer to the source material than the aforementioned TV series. This isn’t really of any importance in my enjoying of it as I’ve never read the book, but thought it was worth a mention.
I personally found the jump scares to not have too much of an effect on me. What did leave an impression on me were the relationships between the main characters – the losers club, and the absolute creepiness of Bill Skarsgård’s Pennywise.
The Losers Club
The actors and actresses playing the losers club did an awesome job and had great chemistry on screen. It was good to see the blossoming, and sometimes damaging, of their friendships before ultimately coming together for the final showdown against Pennywise.
The Losers Club from the film IT
But aside from the kids versus clown, the story also did well in telling the group’s stories as a coming-of-age tale – these aren’t just a bunch of one dimensional characters; these are fully-realised people who are all dealing with the stress and anxiety of growing up, as well as added parental pressure. Never mind the killer clown that wants them dead.
Pennywise the dancing clown
Speaking of Pennywise, Bill Skarsgård was so frickin’ awesome in this part. Even though I knew the story and knew the general series of events, he still creeped me the fuck out from the get go. His eyes that weren’t quite right; the subtle shifts from being a friendly clown to showing the expressions that betray his underlying motives; the downright terror that ensues when his real self comes to the forefront.
It was genuinely scary to just see him talking in the opening scene – the opening scene that goes further than most other popular horror films do. Even though I knew what was coming in that scene, I still found myself sitting there, anxiously awaiting the climax.
Chapter 2…
I thought it was interesting to only see the events of the group’s childhood; leaving the adulthood and final showdown to its own film entirely. I don’t think it would actually be possible to cram the whole book into one film – at least not without cutting huge chunks out.
I’m looking forward to seeing the conclusion of IT sometime in the near future, all being well with all of the same writers and creators.
I had zero knowledge of ‘mother!’ when I went in to see it, other than it was directed by the same guy who had made Black Swan (which I love). This is always my preferred way of experiencing a film – without knowing what it’s about. Little did I know I would be led down the garden path into the ever-increasing darkness.
Mother! is a film that I find defies classification. I think if you’re going into it expecting a horror film, as some have, you may be disappointed. Similarly if you go in expecting romance, or thriller, you may also be disappointed. Instead, remain open-minded; think of ‘mother!’ as being a unique story that slowly unravels; keeping its cards close to its chest.
Mother! Posters
When I watched it I didn’t quite know what I was seeing. I mean, yes it’s a seemingly straight forward narrative about a couple in the early stages of dissolution of their relationship, but the narrative is a veneer for a whole slew of metaphors – I’m just not smart enough to have spotted them. All I know is that I enjoyed the journey I was taken on, the mixed feelings it conjured up, and the challenges it often presented me.
There were some moments in the film that were quite difficult to watch, with the mother having an increasingly bad time as the story progresses. But I think that’s what films should do – challenge us; confront us with things we wouldn’t normally experience; shock us out of the rhythm of everyday life and give our brains something new to process.
It’s great that we live in a world with directors like Daron Aronofsky, who just have a story and they tell it, staying true to the original kernel of the idea. They don’t pander to any pre-decided notions of what a particular story should or shouldn’t be, or even what a story should be, they just do their thing; everyone else is just along for the ride.
If you are looking for something different and are open-minded to be taken on a different kind of journey, you should check out mother!
