Tag: Films

You’ll die if you try – Thoughts on the film IT

I will always remember the original TV mini-series of IT with fondness and nostalgia; it was the first thing I watched that scared the crap out of me. I was extremely wary, I might even say pessimistic, about the new theatrical version to come out this year. However, after deciding to give it a chance I found that I came out of the film very happy.

From what I’ve gathered, this newer version stays closer to the source material than the aforementioned TV series. This isn’t really of any importance in my enjoying of it as I’ve never read the book, but thought it was worth a mention.

I personally found the jump scares to not have too much of an effect on me. What did leave an impression on me were the relationships between the main characters – the losers club, and the absolute creepiness of Bill Skarsgård’s Pennywise.

The Losers Club

The actors and actresses playing the losers club did an awesome job and had great chemistry on screen. It was good to see the blossoming, and sometimes damaging, of their friendships before ultimately coming together for the final showdown against Pennywise.

The Losers Club
The Losers Club from the film IT

But aside from the kids versus clown, the story also did well in telling the group’s stories as a coming-of-age tale – these aren’t just a bunch of one dimensional characters; these are fully-realised people who are all dealing with the stress and anxiety of growing up, as well as added parental pressure. Never mind the killer clown that wants them dead.

Pennywise the dancing clown

Speaking of Pennywise, Bill Skarsgård was so frickin’ awesome in this part. Even though I knew the story and knew the general series of events, he still creeped me the fuck out from the get go. His eyes that weren’t quite right; the subtle shifts from being a friendly clown to showing the expressions that betray his underlying motives; the downright terror that ensues when his real self comes to the forefront.

It was genuinely scary to just see him talking in the opening scene – the opening scene that goes further than most other popular horror films do. Even though I knew what was coming in that scene, I still found myself sitting there, anxiously awaiting the climax.

Chapter 2…

I thought it was interesting to only see the events of the group’s childhood; leaving the adulthood and final showdown to its own film entirely. I don’t think it would actually be possible to cram the whole book into one film – at least not without cutting huge chunks out.

I’m looking forward to seeing the conclusion of IT sometime in the near future, all being well with all of the same writers and creators.

Thoughts on the film mother!

I had zero knowledge of ‘mother!’ when I went in to see it, other than it was directed by the same guy who had made Black Swan (which I love). This is always my preferred way of experiencing a film – without knowing what it’s about. Little did I know I would be led down the garden path into the ever-increasing darkness.

Mother! is a film that I find defies classification. I think if you’re going into it expecting a horror film, as some have, you may be disappointed. Similarly if you go in expecting romance, or thriller, you may also be disappointed. Instead, remain open-minded; think of ‘mother!’ as being a unique story that slowly unravels; keeping its cards close to its chest.

Mother! Posters

When I watched it I didn’t quite know what I was seeing. I mean, yes it’s a seemingly straight forward narrative about a couple in the early stages of dissolution of their relationship, but the narrative is a veneer for a whole slew of metaphors – I’m just not smart enough to have spotted them. All I know is that I enjoyed the journey I was taken on, the mixed feelings it conjured up, and the challenges it often presented me.

There were some moments in the film that were quite difficult to watch, with the mother having an increasingly bad time as the story progresses. But I think that’s what films should do – challenge us; confront us with things we wouldn’t normally experience; shock us out of the rhythm of everyday life and give our brains something new to process.

It’s great that we live in a world with directors like Daron Aronofsky, who just have a story and they tell it, staying true to the original kernel of the idea. They don’t pander to any pre-decided notions of what a particular story should or shouldn’t be, or even what a story should be, they just do their thing; everyone else is just along for the ride.

If you are looking for something different and are open-minded to be taken on a different kind of journey, you should check out mother!

Terminator 2 Re-release in 3D

When I was eight years old Terminator 2: Judgement Day was released at the cinema. I remember it vividly. Not because of my going to see it, but because of the evening my parents dropped me off at my Nan’s house whilst they went to watch it.

Now, Twenty Six years later, I finally had the opportunity to see it on the big screen myself.

I was initially skeptical

When the announcement was made about the retro fitting of 3D for its re-release I was disappointed. I’ve never been much of a fan of 3D cinema and simply wanted to see this film as it was originally. I grew up watching this all the time; memorised all the lines; and even played out the scenes with friends in junior school. I was obsessed to say the least. This is one of my favourite films, if not my actual favourite film, and was worried it would somehow tarnish my love of it.

However, if this was to be my first chance to see Terminator 2 on the big screen I was gonna take it.

I was not disappointed

As soon as the film began I was immediately blown away. The Terminator’s skull coming out of the fire at the end of the opening credits was so spectacular-looking and was completely terrifying. The moment had finally came – I was about to see Terminator 2 on the big screen.

All throughout the film I found myself noticing more of the background details, probably through a conscious effort to absorb the full 3D effect. Even in the T-1000’s arrival, I would be noticing all of the wrecked cars and debris in the underpass. I got even more wrapped up in this world than I had previously done.

Everything I loved about this film was magnified up on the screen.

The Special Effects still hold up today

Twenty six years after this film released, then ahead of it’s time, the special effects still hold up strongly. The highway chase between the police van and helicopter still looked great – greatly due to the fact it was all filmed for real. No C.G. shots back then, kids. Even the nightmare hydrogen bomb scene, even more horrifying at a huge size, still had all the power of its first outing. In fact I couldn’t help get more of an emotional connection to this in the light of recent threats and actions in the news by certain heads of state douche bags.

Thank you, Jim

A big thanks to James Cameron and all of the people who went into making this re-release a reality. Let’s hope there’s enough interest to warrant the possibly-next-planned remaster, Aliens.

Ear, ear – Changes in acceptable cinema violence

Back in 1992 Quentin Tarantino released his directorial debut : Reservoir Dogs. Although this is considered a modern classic of cinema, and rightly so, many people lost their shit when this film came out.

The most notable reason for the hostility towards the film was the infamous ear-cutting scene performed by Michael Madsen’s Mr Blonde on Kirk Baltz’s Marvin Nash – even though the act itself is performed off-screen.

Last night I went to see a recent film release: King Arthur: Legend of the Sword (don’t judge me), which itself had a scene with somebody getting their ear cut off. The cutter even talks into the severed ear just as Mr Blonde does. King Arthur, however, is rated as 12A and I bet it wont be denied a video release for three years.

What does this say about modern cinema, or about us as people?

Now I’m not somebody who has any complaint about cinema violence – I bloody love it. It’s fun to watch and unless you have trouble differentiated fantasy from reality, or have an already-existing mental condition, is not going to make you want to replicate violence in the film. If you do find yourself wanting to act out certain scenes, please seek medical advice (I mean this sincerely; I’m not trying to be funny).

I’m not a student of Psychology or Film, but I did find it interesting – when watching that film last night – just how the levels of acceptable graphic content have changed in twenty five years. I think we have generally become a lot more decensortized to graphic content in films – I would make the assumption that it’s due to the inherently graphic nature of the world around us. Also the abundance of visceral imagery shared on social media as shocking events and atrocities occur across the globe.

Let’s face it – the modern world is a great deal more horrifying than any film that could be released (All the ones I have seen at least).

It’ll be interesting, perhaps even scary, to see where those levels are in another twenty five years.

We don’t do friends round here. Round here it’s Brotherhood

I have been a big fan of both Kidulthood and Adulthood for a while now. I got really excited when I saw a bus drive past me recently with a big picture of Noel Clarke on the side. The only word I could make out as the bus sped past was “Brotherhood”.

Realistic and brutal with some tasteful comedy

Tonight I went to see “Brotherhood” and I was not disappointed whatsoever. This film was terrific – often grimey; always believable; and even occasionally really funny. There is a great scene in the film regarding a phone conversation and Sainsbury’s. That’s all I’ll say, but the whole cinema screen was in stitches at this bit.

There were other elements of comedy now and again that offset the serious drama really well. Never cheesy or fake, in fact it was like a light cushion to soften the blows of the harsh world that Sam Peel lives in.

This harsh world of West London gangs and crime was represented really well. I mean, I have zero knowledge of the world that the characters live in, but there were never any points that felt forced or fake. Every scene felt believable and was at times very brutal.

I left feeling uplifted

Despite the brutality of some of the film’s scenes and emotional turmoil that the characters went through, I left the cinema feeling uplifted. And speaking about emotional turmoil, Noel Clarke’s performance in particular was impressive. He plays as both vulnerable and as a bad ass during “Brotherhood”, and in both his performance is stand out.

It’s probably worth mentioning that there were no bad performances here. All were great, I just don’t want this write up to be massive, as it would be if I was to give all praise to where praise was due.

How this film got a ’15’ certificate I’ll never know. The C-bomb got dropped and I lost count of the amount of times I saw full-frontal nudity – men and women. I guess things have changed since I was a lad…

… gosh did I just say that?

Anyway, “Brotherhood” is an awesome film to be enjoyed as both a final chapter to the “hood” trilogy (Kidulthood, Adulthood, Brotherhood), or even as a film on its own. It’s been at least two or three years since I saw the previous two films and I still thoroughly enjoyed this one.

I enjoyed the new Ben Hur film

It’s always a risky undertaking when trying to re-make a classic film such as Ben Hur. I don’t have many memories of the original, in fact I only watched the first two thirds of it. I guess I never got round to finishing it.

The original Ben Hur was a full-on epic, clocking in at a little over three and a half hours. Because of this, and the sheer scale of the film for its time, it will always stand out as a classic. The new remake, however, didn’t really have the epic feeling of its original. It didn’t even feel like anything that special. What it was though, was an enjoyable two hour film that will hopefully make you more forgiving to your fellow man / woman.

This remake has a lot of good messages to take away from it and I thought the acting was pretty good too. Just don’t be expected to be taken on a three and a half hour epic journey. I don’t think most of today’s audiences would have the patience for three and a half hours of film. In fact I’ve found that people can’t go ten minutes without checking their bloody phones.

Idiots. Rant over.

If you’ve not seen the 1959 classic I think you’ll enjoy it. If you have seen the original, and have a certain fondness for it, you may leave feeling slightly deflated. But as I always say, go and see for yourself.

Life On The Road with David Brent

Last night I went with a friend of mine to see David Brent : Life on the Road. I think we both had mixed feelings about it initially – on one hand it’s great to see this character again, while on the other it chances hurting the mythology. I am happy to say that this film was everything I hoped it would be and more.

An Underrated Actor

I have always thought of Ricky Gervais as being an underrated actor. People always seem to say things like “The Office was good, but that David Brent does make me cringe”. It seems no-one remembers his performance when he was made redundant. Or better yet, Ricky’s monologue in the Big Brother house during the Christmas special of Extras. Both really powerful, and this film he seems to work that magic again.

The film seemed to highlight the tragedy of David’s character instead of fitting in too many gags. It really did feel like a man’s last ditch effort to make it to what he thinks his perfect life should be. The jokes are often at David’s expense, and while often very funny, still managed to make me sympathetic towards him. This is what good comedy should be – exploring a wide range of emotions with the comedy cleverly weaved throughout.

Music to back the story up

Life on the Road is a story of David’s attempt at a music career and tour, and with it there are real songs performed. These aren’t crappy throwaway jokey songs either; they are genuinely well-written from the perspective of a slightly miss-informed Tampon rep. Some songs you will recognise from being mentioned / performed during The Office TV series. Others will be brand new to you, like ‘Lady Gypsy’ and ‘Aint No Trouble’.

Another great thing to see as well, was how the world around David has drastically changed. I remember hearing Ricky Gervais talking about how it’s the cut-throat, dog eat dog world that David now finds himself in. With people who are influenced by “The Apprentice”, trying to get one over on the next person. David just doesn’t seem to quite fit in that world – and good for him.

Hats off to the Doc

I also have to mention Doc Brown’s return to the world of Brent as rapper Dom Johnson. Doc Brown is another one of those genuinely talented people who seem to be able to work in a few different art forms. He features on three of the songs of David Brent’s and performs an original song of his own (Dom’s own) during the film, and absolutely kills it.

Suicide Squad was a lot of fun

I keep seeing negative reviews of the Suicide Squad, but you know what? I had fun, dammit. Suicide Squad was a lot of fun – there, I said it.

Don’t go into this film expecting much more than it is – an action-packed, romping, stomping arcade of cinema fun. Because that is what it is. I did however end up caring for most of the characters. I mean, the witch was pushing it a bit, her gyrating to a huge smoke of destruction of some machine or another was a slight downer, but I accepted it as the catalyst for a fun ride.

In regards to the world of the Suicide Squad, I went into the film having no prior knowledge to most of the characters. I knew Harley Quinn’s background with the Joker but that was about it. So I didn’t have that comic book baggage that I’ve seen people complaining about – about how Harley Quinn and The Joker’s abusive relationship has been down-played.

There’s a bit of ass going on

If you’re going to be offended by a lady bending over in hot pants then don’t watch this film. I’m not going to pretend the film’s not flaunting Harley Quinn’s ass quite a bit, it is. However it was good to see her character coming across as more than just a wiggling bum. She had a vulnerability that she masked with the fact that she is just plain mental. Plus I’ve been a fan of Margot Robbie since she played the not-quite-as-mental Donna Friedman in Neighbours.

Jared Leto was a surprise Joker for me. I actually really liked him as the Clown Prince of Darkness. His portrayal was fresh, as Heath Ledger’s was before him. Not only that but he gave a decent edge of darkness to the character. His darkness came out when dealing with the relationship between him and Harley Quinn. Their relationship is destructive and somehow beautiful at times.

My favourite scene with them was probably The Joker holding Harley Quinn up in a vat of chemicals, during an origin scene, with paint twisting around them.

Pacing and Climax

I found myself interested all the way through the film. There was never a point at which I got bored. There were moments of annoyance as characters made stupid decisions, but I’m finding myself being less critical of a film’s short-comings nowadays. I try to enjoy the ride instead of moaning about one particular turn.

As climaxes go this film’s was okay. I mean, I wasn’t particularly bothered about the possibility of the end of the world, or the main baddies themselves, but I was bothered about the main characters. I wanted Deadshot to get home to his daughter; for Diablo to find his peace; and of course for Harley Quinn to find her Puddin’.

Star Trek Beyond was pretty good

Today me and my good lady went to see the new Star Trek film, Star Trek: Beyond. I had no expectations for it – I was neither excited or anticipating it to be bad; I just went and watched a film at the cinema. And as it turned out I enjoyed it.

This film felt like it was intentionally going for a low-key feel. By that I don’t mean it was boring or poorly made – it just felt like they weren’t trying to make a huge blockbuster; just an enjoyable night out at the cinema. And that, it was.

I especially loved the little twist at the start with Kirk delivering an item to a vicious-looking alien race. I wont spoil it for you but it did make me chuckle.

So yer, the new Star Trek – pretty good. Take your loved ones for some unapologetic space-roaming fun.

The new Ghostbusters film wasn’t terrible

When I first saw the trailer to this film I had the same thoughts as many fans of the original film – “oh great, another classic film that somebody’s gonna kill off”. But I went to see it today based on the positive reviews I’d seen and do you know what? I actually enjoyed the film.

While I still love the original film way more than the new one, the new film did have many good points to it. One of which was a surprise role played by Jared from Silicon Valley.

One thing I couldn’t help but notice though was the annoying inclusion of cameos from the original cast throughout as well as one certain rock personality. These cameos actually took me out of this film’s experience albeit for a moment – all just to appease die-hard fans no doubt.

Also I couldn’t help but notice how the only woman without qualifications and scientific knowledge was the sassy stereotyped black woman. Maybe I’m looking to deep into it but It’s something that did stick out a bit.

But all in all I did actually enjoy the film. It was a funny Saturday night movie with a few jumps and lots of funny moments throughout.