love a good story
Junji Ito is a horror Mangaka famous for his most popular works: Uzumaki, Gyo and Tomio. As I re-read his stories, and discover new ones, I will be sharing my thoughts about them here.
Most people probably know the story of Snow White — the seven dwarfs; the poison apple; the prince. But I bet not many know of this version by acclaimed horror Mangaka Junji Ito.
A short version but not one to be missed.
Honouring the memory of one’s ancestors is something that most people try to do – at least I like to think so. So it seems fitting that in Honoured Ancestors, Junji Ito should take this very human trait and turn the dial up to “weird” and give us a flesh and blood representation of ancestry.
We join a young couple as the boy, Makita, is walking his girlfriend Risa back to her house. Risa has recently lost her memory and nobody can work out how. She then begins to get increasing anxiety, along with nightmares of a giant caterpillar invading her bedroom at night.
Perhaps something in her lost memories can give a clue as to the origin of these disturbing visions?
Makita seems almost happy that Risa has lost her memory because, as he puts it, they can experience all of the “first times” they had together once again. One such “first time” that they relive is them both going round to Makita’s home, where he lives with his sick father. However, upon meeting the father, thoughts and feelings begin to stir within her.
It is in this house where the mystery of her lost memories will be unravelled. And there will be one such “first time” that she will wish would never happen again.
In the author’s notes for this story, Ito explains how he saw the big reveal of this story in his mind before any of characters or plot came to him. This is a very interesting way of working, starting with the imagery and working back from there, and I wonder how many other stories of his began this way.
Honoured Ancestors is one of those stories that has so much more going on underneath its surface than what we see. We are shown the current generation of the family, Makita, along with the end of his father’s life. But what about the many ancestors that came before? How did they all trick their partners into marriage and carrying on this family line in such a twisted way?
I really enjoy how many of Ito’s stories like this one trigger these thoughts in me. I love wondering about events that happened so completely out of the scope of the current story, yet would still have had an effect on the story’s world.
I enjoy this story a lot. While not being a favourite of mine, it still holds a high place for me. I find myself imagining the lives of those ancestors and just how they came to begin the connection to their past in this way.
You should definitely pick up Junji Ito’s Shiver Collection and read this story – see what thoughts it sparks in your own imagination.
Junji Ito takes on one of the most well-known horror stories of all time. He injects his signature style and atmosphere into the classic tale of man playing god.
You seek for knowledge and wisdom as I once did… it is only natural for a man to pursue knowledge. Until a few years ago, I burned with the same ambition as you.
Victor Frankenstein begins to tell his story — Frankenstein
Mary Shelley’s Frankenstein is perhaps one of the most well-known horror novels ever written, if only by name. In his horror manga of the same name, Junji Ito tackles the mammoth task of bringing this novel into his disturbingly visual world.
Frankenstein is such a huge part of popular culture, however, I have to be honest and say that I have never read Frankenstein the novel; Ito’s version is my first time experiencing the story itself. I knew the rough story – the Doctor creating the monster, but I needed to check the major plot points on the novel’s Wikipedia page after reading this manga, just to see how close it was.
I am happy to report that Junji Ito’s version of Frankenstein stays very true to Mary Shelley’s novel. Even the narrative structure of telling the story from the perspective of the ship’s captain is maintained. But I can’t give a full comparison as I am not familiar with the source material.
During an expedition to the North Pole, in the pursuit of fame, the captain and his crew see the towering figure of a stranger in the distance. This is followed by them finding a man out in the freezing cold all alone and in need of shelter — a man by the name of Victor Frankenstein. Victor is in pursuit also, only his pursuit is of something far more tangiable than fame. His pursuit is of a creature he decsribes — the figure that the crew saw previously.
Suffering from exhaustion and cold, Victor tells the captain his story and how he came to be out here in the wilds of the North Pole. We learn of Victor’s childhood and family, and his growth into the scientist he became. He also recounts the terrible deeds he performed in the pursuit of greatness in his unique field of study.
He goes on to tell the Captain of his creation, the Frankenstein’s Monster, and how it came to escape and ultimately wreak havoc on his family. We bear witness to the awful deeds that the monster does, and Victor’s seemingly never-ending pursuit of it. Victor’s story ultimately brings us back to the current time on board the trapped ship and to the final moments of realisation of both the monster and the creator alike.
As I said before, this was the first time experiencing the full story of Frankenstein. I mean, I’ve always known about the characters and the creation of the monster through parodies and tv series tie-ins like Penny Dreadful and Carry On Screaming, but never the original story.
I am glad, in a way, that reading Junji Ito’s interpretation of it was my first taste. It meant that I got to experience all of the story’s twists, turns and moments of horror, only via the expert artistry of the horror mangaka himself. That’s not to discount Mary Shelley’s talents; I’m just saying that this was a very different way to be subjected to it for the first time.
I thought that the intricacies of the monster himself were put across very well too. It’s moments of horrific brutality; it’s moments of love towards the family whose home he hides in; and the moments of vulnerability where he pleads for his creator to build him a mate – a mate who won’t cower and scream at the mere sight of his face. Someone he can love — and receive love in return.
I can’t say that this is my favourite Junji Ito story, but nonetheless I thought he did a great job working within another writer’s world and the limitations that it can bring. His artwork is on point as always, with the depiction of both innocence and horror so expertly portayed, sometimes through the same character.
I’ve heard said before that if you are going to remake or cover someone else’s creation, whether a film, song or whatever, you should either strive to improve on the original or at least make it different. Whilst I can’t say whether or not he improved it, I do think he brought something completely different. Perhaps even bringing this classic horror story to the eyes of people who may never have ended up reading it — like me.
Whilst I can’t recommend reading this version of Frankenstein before the original, nor should I, I do feel that it is definitely a Manga worth reading at some point. I’m not sure about any different experiences I may have had, had I have read the novel first. The big difference that does spring to mind is that all of the visuals would have been created in my imagination – making it even more scary perhaps?
But as a standalone horror manga, regardless of the source material, Junji Ito’s Frankenstein is a great read in my opinion and worthy of your time.
This picture is one of the most exciting pictures I’ve seen in a while. On the surface it is just three people looking at something on a computer monitor. However, for those who know and enjoy two of these people’s work, it is something to shout home about.
The guy on the left is Junji Ito – horror manga legend and instrumental in bringing the genre to modern mainstream attention. I enjoy horror manga very much and Junji Ito is one of those authors whose work I actively search for. His art style is instantly recognisable and has created some of the most memorable and terror-inducing images and stories.
His most well known stories are probably Uzumaki, Tomie, and Gyo. Each masterpieces in their own right and serve to solidify Ito’s position at the very top of his game. His stories, especially those mentioned, work within the horror sub-genre of ‘Body Horror’.
The guy on the right is Hideo Kojima. Kojima is a name well-known and highly respected within the gaming community, and indeed the wider community of action and story telling. He is the man responsible for the Metal Gear Solid series whose reputations really do precede them.
Each of the games of Kojima’s that I have played I have fallen in love with. The first two Metal Gear Solid games, the first on the Playstation and the second on the Playstation 2, were such important games to me growing up, with me being about fifteen years old and eighteen years old respectively when they were released.
These games were some of the most memorable gaming experiences that I have ever had and have definitely stayed with me to the present day.
To have both of these people present in the same photo, apparently reviewing something together in an office, s exciting. The had previously been working together on what was going to be a new Silent Hill game. The very thought of that even being a possibility is cause enough to lose your shit over. Junji Ito’s twisted and macabre creations within a world created and directed by Kojima…
…But it was never to be. Silent Hills, as it was called, was cancelled and they both went their separate ways. And that was that…
…Or was it?
Death Stranding is the game that Kojima and his team are currently working on, which is exciting in itself. However, when you take the recent image above and consider the very real possibility that the two masters themselves could in fact still be working together, whole new levels of awesome enter into the mix.
Original source of image here.
My collection of horror Manga may spiral out of control…
I stumbled upon this beauty in Waterstones today!
The artwork in Uzumaki is stunning. Jack in the box is one of my favourite chapters
There is something really haunting about The Enigma of Amigara Fault.
Read the first ten chapters of Gyo by Junji Ito tonight. Weird stuff. Fish with legs!
I love the work of Junji Ito. His stories and artwork are so disturbing!
Possibly one of the coolest presents I’ve ever been given — Uzumaki by Junji Ito (Complete Hardback Edition)
