Halloween Kills poster
Tag: Films
Heat
Finally watched this film for the first time and I absolutely loved it to bits.
As I sat there sweating through the UK heatwave — my apartment being three or four degrees higher — I became lost in this world of LA.
It goes without saying that Al Pacino and Robert Deniro are at the top of their games in this film, but i’m gonna say it anyway…
…they are both so fucking great. As are all the other performances throughout.
It’s one of those films that has been on my radar for so long but just never got round to watching it. Everyone I’d heard mention it had always said it was awesome — they were all right.
Deniro’s character brought a certain intensity throughout for me — his straight line, get the job done attitude is infectious.
And Pacino does what he does best. His seemingly-random outbursts of animation were such a joy to see. I found myself laughing — but out of shear enjoyment of his performance. He has a way about him that just captures my attention with ease.
Deniro’s and Pacino’s characters are two sides to the same coin. Both representing the opposing forces of law and criminal. I found myself rooting for both of them right till the end. Neither is completely “good” and neither is at all “evil”.
Besides hearing Heat mentioned in one of my favourite TV shows, Peep show (see image above), what actually tipped me into actually sitting for the 2 hour 50 minute runtime was a clip of Tom Hiddleston on the Graham Norton show.
The clip featured Tom appearing with 3 other actors, all there for different reasons, but was sharing the guest sofa with no other than Robert Deniro. Tom was talking with admiration about Deniro in Heat — and in one scene in particular.
The scene was the infamous coffee shop scene in which Deniro and Pacino enjoy their first ever on-screen appearance.
When I finally got to the scene myself I saw where that admiration was coming from.
One of the most conflicting moments for me came right near the end.
There is a chance for Deniro to get away and begin a fresh life, and I was really praying he would. However, I equally wanted him to finish off one piece of unfinished business — with a particularly nasty character.
There’s a moment where he’s driving and you can feel the conflict within him. Deciding desperately which path he should take. And I think he already knows the outcome of both paths before he chooses.
I wont spoil that moment for you here, but I do urge you strongly to watch this. It’s an incredible film.
The Babysitter
Not to be confused with the 1995 erotic, straight-to-video film starring Alicia Silverstone. 2017’s The Babysitter is a violent, fun watch and completely ridiculous in all the right places.
I was recommended this by a friend and did really enjoy it. I was surprised that it was a 15 though.
Looking forward to watching the sequel some time soon.
Friday the 13th: The Final Chapter
The “Final” chapter. Lolz.
I enjoyed the film for what it was — the gathering together of a bunch of young people for Jason to pick off one by one.
Friday the 13th part 3
Friday the 13 part 3 was a lot of fun.
I didn’t enjoy it quite as much on the whole as I did part 2, but it was still a great ride. And it was great to finally see Jason don his infamous hockey mask.
I found myself wondering about the director’s taste when I kept noticing things being pointed right at the camera. Like in the camera’s face. It wasn’t until half way through that I had the distant memory come back about this film having been made for 3D.
Plus a pissed-off 80s biker gang. What’s not to love?
Thoughts on The people under the stairs
I finally faced my childhood trauma by watching The people under the stairs in full. I saw sections of it as a child and remember only the image of children running from something in the wall cavities of a old creepy house.
It was an absolute surprise and joy to see Everett McGill and Wendy Robie as an on-screen couple again after their iconic partnership in David Lynch’s Twin Peaks as Ed and Nadine Hurley.
Credited as simply ‘Man’ and ‘Woman’ respectively, the pair live in a large fortified house just outside of a Los Angeles Ghetto. That Ghetto is pretty much owned in full by the couple — land and property bought and passed on through the years to subsequent generations of the family.
The couple are Land lords to many in the neighbourhood, but specifically a family struggling to pay the bills due to abject poverty and family illness. The story kicks off when the poor family’s young son, nicknamed ‘Fool’, is used by a criminal friend of the family to help break into the rich couple’s house. They do this to try and find a rumoured collection of gold coins that have been hoarded there.
What follows is them all trapped in the house with no escape, running and hiding from the sadistic couple armed to the teeth and commanding a large, vicious dog. Not only that, but they must also content with the people under the stairs.
The things I found most scary this time around were not necessarily the chases through the walls or the basement encounters, although they were often tense. What I found myself finding most horrific was how these crazed parents treated their daughter Alice.
Alice lives under a constant cloud of threatened, and often enacted, abuse. Later we even see her slammed on to the floor to clean the blood-drenched wooden flooring of the house. And then soon after being force-cleaned by her mother in a visibly-scolding deep bath of water.
How this film went from comedic moments of joy to horrific moments of torture and mutilation was all but expertly done. Despite having so much to offer in terms of tone, it never felt jarring. It was a roller coaster that just kept throwing in loop-da-loops and sharp left turns.
Mcgill and Robie were incredible as the crazed couple hunting for the blood of the intruders whilst trying to keep their current captives under control. And then there is the illusive thing living in their walls.
Oh, and their dog is bloody terrifying.
I loved them both in Twin Peaks. The people under the stairs made me love them even more.
Equally as impressive was the actor playing Fool — Brandon Adams. He had great charisma on screen and his character really kicked ass and held his own against the lunatics.
Fool would often fight back against his pursuers and never made any dumb decisions to merely serve the plot.
He sure is one smart cookie.
I’m actually proud of myself for clocking the satirical take on the nature of capitalism throughout the film too. Maybe all of this writing and thinking a bit more about the films I watch is having an affect on me?
I enjoyed this film so much, and for many different reasons. I really can’t recommend it enough.
Watching The people under the stairs
An image from an old film haunted me for some years in my childhood. Only recently did I discover somehow, without watching it, that the image was from The people under the stairs.
Now I’m going back in to a film I may have seen as a child and possibly blocked out, out of trauma.
Afterward
This film was amazing. I need to write up some thoughts on it soon.
Thoughts on Friday the 13th part 2
Apart from being an entertaining and very 80’s killing spree around the cursed area surrounding Camp Crystal Lake, I thought this was a really well made, and clever horror film.
The second film in the Friday the 13th series and first appearance of Jason.
I absolutely loved this film.
I found myself constantly second guessing what was going to happen next.
Apart from being an entertaining and very 80’s killing spree around the cursed area surrounding Camp Crystal Lake, I thought this was a really well made, and clever horror film.
The opening scene was, for the lack of a better word, perfect. The sustained tension through the entire five to ten minute opening with the first film’s lone survivor almost gave me a stomach muscle ache i think.
The camera direction was incredible in pointing my attention to places I was certain someone would appear from. Even the shower room POV shot — done Psycho style — ending in the lady all but winking to the camera to say to the audience “I know what you were thinking”, had me smiling to myself.
Smiling and nerve-wracked all the way to the opening scene’s superb climax.
One of the best opening scenes in a horror film I can remember seeing.
The rest of the film was great from beginning to end too, with some great moments of tension throughout.
There was even one particular death that I found myself second guessing again too. I wont say which, but after what I’d consider clever uses of misdirection up until now, I found myself assuming that a certain scene was going to be more drawn out and elaborate than it was.
When in fact it couldn’t have been more straight forward and to the point. #BladeToTheFace
As far as the killings go, this wasn’t as gory as I was expecting it to be. I think that maybe as this series is one of the bedrocks of slasher films, it has a level of infamy that can easily hype it up in the minds of those that haven’t yet seen it. Despite my saying that, I think that the level of violence in general will keep any horror fan salivating.
One thing that did surprise me was that Jason felt much more human than I was expecting. In all of the references I had seen to him up till now, he is portrayed almost like a machine that can not be killed. Although saying that, there was an awesome scene as he is revealed in full for the first time — where he stands up from under a cover, towering over his next victim.
A really imposing figure and one of my favourite scenes of the film.
His ability to get back up after certain injuries seemed almost plausible here too. However, I am fully expecting his recoveries to get less and less plausible as I delve deeper into this series.
I had to smile and grimace at times when either a couple would have sex or someone would say “I’ll be right back” — I was immediately reminded of a key scene from Wes Craven’s Scream, where a horror film nerd would describe these dangers and things to not do in a horror film. It seems that he was right.
I had already enjoyed the first Friday the 13th film some time ago. And now that I have enjoyed this one even more, I am really looking forward to getting further into Jason’s world.
Despite my expecting them to start degrading with originality over time, from what I’ve heard at least, I am really excited to be going on the ride for the first time.
Watching Friday the 13th part 2
Loved the first film but have never got round to watching the others. It’s about time I remedied that.
Watching Suspiria 2018 remake
I am in love with the original Suspiria. Hoping for a different take in the remake.
The New York Ripper — My Thoughts
The New York Ripper has been one of the most challenging films I’ve watched in recent times. It’s violence and sexuality are off the charts.
The New York Ripper has been one of the most challenging films I’ve watched in recent times. It’s violence and sexuality are off the charts — all in all a cracking Giallo thriller.
New York is being terrorised by a serial killer who seems hell-bent on cutting up young women, seemingly for some kind of sadistic sexual pleasure. And these acts of violence are put front and centre in your face. Every. Single. Time.
The opening credits consisted only of the still image of the dog with the severed hand in his mouth that he’s just found in a bush. With this and the funky 70s television flavour soundtrack, it felt almost like a black comedy of sorts.
I don’t know why I kept getting the vibes of a black comedy in this film. Perhaps it is the super over-the-top depictions of killing and the fact that the killer pretended to be a duck whilst murdering people.
Quack quack quack
Ducks… Yer… So, the killer begins quacking like a duck as they begin violently cutting open their victims. Stay with me though. At first it was kind of funny and a complete juxtaposition to what was going on on-screen.
Quack quack…
CUT — SLICE
Quack quack quack…
HACK — CHOP
But as the film went on, that sound became bloody terrifying to me. Like a razor sharp shriek cutting straight into my brain. Walking down the canal feeding the ducks with my lady will never be the same again…
I liked how there is actually a reason for that duck sound too (no — the killer is not a duck) and it is actually more of a grounded reason than I was thinking it would be.
And when it comes to the identity of the killer, I found myself guessing right up until the point at which one of the characters clocked it. Yes I am a bit slow, but I think that Fulci did a great job at dropping red herrings here and there.
Beauty in the killing
Only after I wrote that heading did I realise how mental it sounds. Oh well, it’s staying. haha.
I don’t often find any sort of pleasure out of people being killed in films — unless they have it coming of course — but I can appreciate a really stunning piece of cinematography from the violence. And this film has those throughout — and not always in relation to a death scene.
Despite many of the scenes being so graphic — in both sex and violence — the director, Lucio Fulci, has created some incredible-looking sequences throughout his film, that just beg to be looked at again and again.
The way in which he uses colour alone is incredible — most notably a scene with live sex performer Eva, as she is returning to her dressing room.
I loved this section so much that I have included five none-spoiler screenshots of it here:
Eva’s scene reminded me of Alfred Hitchcock’s Vertigo. Specifically a hotel room scene in which a character is bathed in the neon green light of the hotel sign outside the window. This isn’t the first time I am reminded of Hitchcock’s work in a Giallo film either.
Some of the scenes in New York Ripper reminded me heavily of a more modern film I’ve seen too — The Neon Demon. No doubt the director of that film, Nicolas Winding Refn, took heavy inspiration from the Giallo genre — something I am only just uncovering for myself in my new obsession.
This scene from Fay’s train ride had some great set pieces in it too. The train itself and shortly after, the cinema:
Conclusion
If you are feint of heart please do not watch The New York Ripper. It uses extreme close-ups of killings like my partner uses Ketchup: in large doses.
However, if you dig over-the-top violent scenes with elements of beauty in films, then this could be right up your street.
Despite my constant mention of violence and sex in this film, it does have a good story. A story quite typical in the world of slasher / giallo films I think: detective tries to track down violent serial killer as more killings unfold in more beautiful and dramatic ways.
And although it shares so many Giallo characteristics, it is uniquely memorable in so many ways.
Watching The New York Ripper
Thoughts on Phenomena
Dario Argento’s Phenomena is yet another example of a masterclass in horror cinema.
The next film in my Giallo journey was Dario Argento’s Phenomena — arguably one of his best. Although, to be fair, I haven’t seen a bad Argento film yet.
From it’s wide open start amongst the Swiss countryside — where a student girl misses her bus — to the claustrophopic, insane ending, this film had me hooked and anxious throughout.
I thought that with Jennifer Connelly as the main star, along side Donald Pleasence, I would feel relatively safer than I have with previous GIallo films. I knew her mainly for the film she did the year following Phenomena: The Labyrinth. But how wrong I was.
Phenomena — synopsis
The film is about a young girl, Jennifer, who is sent to a Swiss girls school by her father. She already knew that she had an affinity with insects, but it is during her short stay at this school where her affinity grows stronger and stronger.
In the area there is a serial killer who seems to be picking off the girls from the school. And after Jennifer witnesses something she shouldn’t have whilst sleep walking, she fears that she is next.
In her travels she meets a local scientist — one who specialises in insects (very apt) — who she teams up with to try and track down this killer on the loose.
The Soundtrack
Phenomena’s soundtrack was partly done by Goblin, as with other films of Argentos’. And it is as awesome as you can imagine, (if you’ve seen films like Deep Red or Suspiria before). If you haven’t, then you are in for a real treat in experimental music.
Joining Goblin, and some others, on this kick-ass soundtrack, is none other than Iron Maiden. Namely the song “Flash of the Blade” from their 1984 album “Powerslave”. One of my favourite Iron Maiden albums, and the first album of theirs that I bought coincidentally.
The soundtrack does wonders for this film’s pacing. At one point I was anxious and nervous following these characters. But then when that crazy opening to “Flash of the Blade” came on, a huge smile took over my face. I found myself simultaneously foot-tapping to a great song i’d forgotten about, and worried for a woman’s life as she ran from a merciless killer.
Reminiscent of Hitchcock
Alfred Hitchcock is a huge influence on so many film makers, especially the ones worth their salt in my opinion. Some directors make this more obvious than others in some of their films (and I don’t mean that negatively). One good example that springs to mind is the look and feel of Martin Scorsese’s Cape Fear. I remember feeling that if Hitchcock was alive and made that film, it would be very similar aesthetically*. This was aided in no small way by employing Hitchcocks long-standing music maestro Bernard Herrmann.
*Disclaimer: I’m not a film student so am probably talking absolute crap 😀
Anyway, there is a scene in Phenomena where Jennifer is trying to track down the killers hideout using a very unconventional method — I’ll let you discover the method. But method aside, the entire bus ride she takes from the town centre out to the rolling swiss countryside hills was a complete callback for me to Torn Curtain — Hitchcock’s lesser-known, but no less incredible, political thriller film from 1966.
In Summary
This feels like the most accessible of Argento’s films I’ve watched up till this point. I mean, they have all been on Amazon Prime, but due to the use of more western actors who I’d known from previous films, this film felt that bit more familiar to me. Of course this is only from my own perspective. Also I often prefer not knowing any actors in these Giallo films — it somehow makes them feel more dangerous.
That said, I thoroughly enjoyed Phenomena for every single moment of its almost-two-hour run time. One thing I’m noticing from Argento is that I am finding myself remembering so much from his films — due to so many of his scenes feeling so iconic.
The violent pane-smashing opening, the unconventional vat of… stuff, and of course that scene with the chimpanzee (spoiler: the chimpanzee survives this crazy story**).
**If I thought a Chimpanzee was going to be killed I probably wouldn’t watch it, so wanted to put your mind at ease there. 🙂
Some stills from Phenomena
Watching Phenomena
Initial thoughts
What a fucking incredible film. From start to finish I was gripped. Jennifer Connelly is great; Dario Argento is at the top of his game; and Donald Pleasance was a joy to watch as always.
The film was violent, creative and awe-inspiring in equal measure.
And that ending. That vile ending that just kept me second guessing myself until the credits rolled.
Thank you once again, Argento you crazy beautiful film maker.
Watching Five Dolls for an August Moon by Mario Bava.
Watching Deep Red.
