Blackbird

Just who, or what, is this woman who has been helping, and still continues to help, Moriguchi in this very odd, stomach-turning way?

Blackbird — Synopsis

In Blackbird, we join a young man who is bird-watching alone along a beautiful stretch of a mountainous forest. This man’s name is Kume. Along his walk he comes across another young man who is lying injured amongst the foliage — his name, Moriguchi. It seems that Moriguchi has broken his leg, and has managed to survive for a month or so on nothing but the rationed food from his own backpack.

However, as the story continues we learn the deeper, darker truth to Moriguchi’s survival. On the first night of his rescue, he asks his new friend Kume to stay in the hospital room with him. He doesn’t give a specific reason, only that he is scared. That fear is soon realised by Kume during the night, when he witnesses a long black silhouette of a figure kneeling over Moriguchi with its face pressed against his.

On a closer look, Hume sees that the figure is a tall woman with empty, dead eyes and puffed-up lips. After she has made her swift exit, Moriguchi wakes and coughs up a huge chunk of raw flesh. The raw flesh having been fed to him from the mysterious woman’s mouth to his; bird-style.

Just who, or what, is this woman who has been helping, and still continues to help, Moriguchi in this very odd, stomach-turning way? Why did she choose to help him as he lay injured on that forest floor for a month? And will he ever be able to escape her shadow and her bird-like ways?


I’ve been rescued… but She came… but I don’t need the meat anymore…

Moriguchi wants the strange woman to leave him alone

A Faustian-like nightmare

This story had the air of a faustian tale for me. A sort of “deal with the devil” in exchange for something that must be later re-paid. Re-paid with one’s soul and eternal damnation.

The only difference here between The Blackbird and the more classical faust-inspired stories, is that Moriguchi seems to make this deal subconsciously during his fear for his life. As opposed to the more well-off people of a classical faust story; People who just want more knowledge and / or power.

At least this is my interpretation.

His own fear for losing his life could have somehow summoned this woman — this devil. The woman then taking him into a strange, almost recursive, nightmare from which he can never escape. But it’s only on finishing the story do you realise just how sealed Moriguchi’s fate really is.

After we discover that it is in fact his own flesh, somehow from his future, that is being fed to him, I realised that this was a deal that had already been claimed. Yes, she saved him from certain death, but it was from the meat of his own body.

So in essence he saved himself in that immediate moment, but at the expense of his future self.

Moriguchi’s death was always inevitable.

A shadow looms over Moriguchi

An interpretation of Death

Another interpretation I thought about with regards to the bird lady, was that she could be another manifestation of the Grim Reaper; Death incarnate.

The inevitability of death is equal for all living creatures. No matter when or how that time comes, it is something that we all share. So when this woman entered Moriguchi’s life and took him into her twisted nightmare, she did so knowing full well that she would take his life in the future.

In fact, from her point of view she had already begun.

When you think about it, Moriguchi was already about to face death, regardless of the woman appearing. So in fact, she actually gave him more time on the living earth.

Is the demonic winged lady truly an evil being? Could she even be responsible for Moriguchi’s initial state of injury? Or could she actually be something of an agent for good?

Here’s a thought — what if she was some sort of angel, with the power of life and death. What if she was actually trying to give Moriguchi a bit more time in the world?

Perhaps she knew that when death decides it is our time, then it is indeed our time. But maybe she had the power to prolong that person’s life, if only for a short while. But in doing so knew that the life in question was already chosen and must inevitably be claimed.

In Summary

The Blackbird was one of the first of Junji Ito’s stories I remember reading. It was one of the ones contained in the first of his collections that I bought — Fragments of Horror. And despite the fact that I have read a decent portion of his work up till this point, it still remains one of my favourites to go back to.

It’s a circular nightmare that I love to re-enter again and again. The imagery of the blackbird woman leaning into Moriguchi on the hospital bed is one of my favourites of Ito’s. Although the panel itself isn’t hugely detailed — especially the woman herself, being only a silhouette to Kume’s eyes — I just remember the sense of wonder I got on my first reading.

Being fresh to Ito’s work at the time it was something that really opened my eyes to his work and was one of the main catalysts in my wanting to actually write about that work. Too bad it’s taken a few years to actually get round to writing about this one.

Fragments of Horror is an incredible smaller collection of stories and I fully encourage you to take a look — if only to read the awesome story that is Blackbird.

Dissection Chan (Dissection Girl)

A young woman has a dream… to be dissected. Something inside her yearns to be cut open and studied…

Dissection Chan — synopsis

At a local hospital a group of medical students are preparing to start their curriculum on the dissections of cadavers. As each of the student groups opens their body bag they find the old, frail bodies of the dead. People who have graciously donated their bodies to the advancement of medical science.

However, there is one group who conversely find a fresh-faced young woman. Fresh- faced enough that she could almost be mistaken as being alive. And then when she twitches a smile and opens her eyes, the students are stunned. They are greeted by a young woman who is begging to be dissected!

She soon runs out of the theatre laughing to herself. The students are left in shock. All except one, who is sure he recognises the woman from his past. This trainee doctor’s name is Tatsuro Kamata. But just how does Tatsuro know this woman? And where will she appear again?


Some spoilers below


Journey of a psycho

Dissection Chan is, for me, one of the more disturbing stories by Junji Ito. It is also incredibly original and takes a common backstory of psychopaths and gives it an interesting spin.

When hearing those common backstories, especially in criminal investigation programmes, psychopaths often have a similar backstory. They would normally have been known to cut up small insects as children. They will often then graduate to rodents; then sometimes to cats or dogs; before becoming the vicious killer of humans that they are seemingly destined to be.

In Dissection Chan, the title character Ruriko Tamiya journeys along that same path. She begins cutting up frogs, with the aid of a helpless young Tatsuro — the trainee doctor from the story’s opening, and soon gets a hunger for larger animals. Before long she is chasing her friend with a scalpel, looking like she’s almost ready to become the killer she is seemingly growing into.

But what Ito does, very imaginatively, is take those psychopathic tendencies and turn them inwards. Ruriko becomes obsessed with wanting to be dissected herself.

Peek-a-boo Ruriko

Self destruction

Human’s are often described as having a tendency towards self destruction. Now, I am not a psychology student — my levels of psychology knowledge come from films and Derren Brown. Specifically I remember in Terminator 2: Arnold Schwarzenegger saying to John Connor, about human beings, that “It’s in your nature to destroy yourselves”.

I have also discovered this idea in other stories by Junji Ito. The one that springs immediately to mind is The Enigma of Amigara Fault. In it, people are drawn to the pitch black tunnels in an earthquake fault line carved out in perfect human silhouettes.

Just like the people that are drawn to their own holes in the wall, despite it meaning certain doom, so to is Ruriko drawn to her own doom. Being dissected, if not already dead, would definitely kill you, and she is very aware of this. But maybe the very same “Death Drive” exists in her, making the last few panels of this story inevitable.

The sickness inside

The closing panel to Dissection Chan is one of my favourites of all of Ito’s stories I’ve read so far. The insides of Ruriko’s body are like something out of a living nightmare. It’s almost as if the souls of the things she’s dissected and killed over the years have become part of her.

It definitely explains the stomach pains she suffers from.

On a metaphorical level, it feels like it is the sickness inside her that is driving her obsession for dissecting. Something started long ago has being developing inside her. And by the looks of her insides, it is not only driving her to her actions and desires, but it is something she has been feeding too.

It is almost as if her desires in her early days have made way for a biological need to be dissected as of late — in order to let out of her body the rotting, mixed-up living things that have developed inside her.


Well, this is where you come to be dissected, right? I want to be dissected!

Ruriko Tamiya has a very particular taste

Ruriko’s life and her physical body are definitely the result of a very grotesque vicious cycle.

And then there is the sexual deviancy side to it all.

Not only is this woman obsessed with dissection, but in her later years she becomes sexually attracted to it. Soliciting men and begging them to cut her open; then appearing at Tatsuro’s home, as naked as she was on that hospital table, screaming her mantra: “Dissect me!”.

Junji Ito isn’t one to shy away from such sexual scenarios. I remember another character of his from Wooden Spirit, who was depicted as being sexually attracted to the old historical home in the story. Crazy stuff.

In Summary

Dissection Chan is incredible. It touches nerves that you possibly don’t know you have. It may even make you question what is possible in the realm of horror and horror manga.

The depictions throughout the story get disturbing at times, but nothing so disturbing that would put you off any of Ito’s other works.

In fact, I would argue that this story is one of the best examples of an Ito horror manga to give you an appetiser for his other stories. It is definitely one of the first I read in the Fragments of Horror collection, and is one I often re-read as well.

Tomio Red Turtleneck

In Tomio Red Turtleneck, a young man cheats on his girlfriend and almost loses his head.

Tomio Red Turtleneck — synopsis

Tomio Red Turtleneck is one of the more nightmarish short horror manga stories from Junji Ito, as well as being one of my favourites. Taken from his excellent Fragments of Horror collection, it tells the story of a young man dealing with a very strange injury.

We join Tomio’s story as he is walking down a street, grasping at both sides of his head, looking very distressed. His eyes are fixed and his teeth are gritted together as he makes his way to his girlfriend Madoka’s home. On arrival he pleads for her help, but it seems as though he’s been a bad boyfriend. She tells him simply to just “go back to that woman”.

Flashing back to some days earlier in this couples life, it is revealed that Tomio did in fact begin having an affair with a fortune teller. This same teller foresaw their relationship as being “doomed”. But this seems to have been a fortune reading designed for one thing — to get Tomio into bed with said teller.

And it worked.

However, after they had made love, the fortune teller reveals her true evil intentions towards Tomio. He has no choice but to run from her, but not before she manages to curse him.

But just what happened when Tomio and the fortune teller met up? What evil secrets does this cursed woman hold and why did she target Tomio? And just what has she done to cause him to go running back to Madoka with his head clutched between his hands?

Strong Women

Ito has a talent for bringing strong women to the forefront of his stories, perhaps none more so than Tomie — the immortal, self-replicating demon girl who drives men to go crazy over her. However, Tomio Red Turtleneck displays two very strong women too.

The first is the fortune teller, who manages to captivate Tomio into having an affair without any real effort on her part. Perhaps it was magic but nonetheless she had that power over him. She is an imposing figure over the story and is definitely someone not to be messed with.

The Fortune Teller reveals her true intentions

The second is Madoka. Despite being cheated on by her boyfriend, Madoka isn’t saddened or feeling sorry about the situation. Instead she kicks him out in anger and is even the one to save his skin towards the end. It’s unsure whether she will remain with him after this is all resolved, but one thing is for sure — she sure knows how to handle herself and wont go down without a fight.

Monogamy

If ever there could be a horror manga allegory for not cheating on your partner, then Tomio Red Turtleneck is it. Tomio doesn’t come across as a particularly nice person in the opening pages. He screams at his girlfriend Madoka that the fortune teller is “way hotter” than her, before running off to her bed. I personally couldn’t wait for him to get his just desserts.

I found that the fortune teller and the affair with her was a great metaphor for, and even a warning against, being unfaithful to your partner. Tomio sees the teller and is taken with how beautiful she is. He ends up in her bed as he probably believes himself to be “upgrading” his lover in his mind. But of course, once he discovers her true intentions, and the severed heads of other men whom I could only assume cheated on their partners too, he realises he has messed up.

I don’t for one second think that what he ends up going through can reconcile how he treated Madoka, but perhaps having his head almost removed is a little bit too far a punishment. Perhaps.

Children of the flames

I loved the imagery of the three children that were revealed once the fortune teller had been stabbed. Were these malicious spirits that were in control of an otherwise innocent fortune teller? Or were they in fact unborn children of hers who’s presence was still felt by those around?

I couldn’t help but feel sorry for Madoka and Tomio too. Yes, even Tomio. I think that the fortune teller had some kind of control over him. Whilst I don’t excuse his actions, or his attitude towards Madoka, I did feel that he was a very naive person — almost child like. And while Madoka came across as more head strong, she too felt not much older than a child.

The fortune teller on the other hand seemed much older and infinitely more in control of her self. Although her motives were never revealed, she definitely had control over the situation. Of course, she did underestimate Madoka at the end. So I guess she couldn’t have been that much in control.

In Conclusion

Tomio Red Turtleneck is a quintessential Junji Ito manga that I think you should definitely read. Whilst it’s not in my top 5, it is definitely up there towards the top of my favourites. The imagery of Tomio stumbling down the street clutching at his almost-severed head is one of those Ito images that I just won’t ever forget.

Junji Ito has created such iconic imagery through his career so far, and no-doubt will continue to do so. But I think that Tomio and his red turtleneck are, at least for me, one of the most memorable.

Wooden Spirit

In Wooden Spirit, Junji Ito takes us on a strange journey of love. Specifically, the love between one woman and a house that she finds desirable…

Wooden Spirit — Synopsis

In Wooden Spirit, we are introduced to Megumi and her father. They live together in an old wooden house that has recently gained cultural recognition. Despite them being the only ones who live there, the house has eleven rooms to its name. And they take very good care of each and every square inch.

In the story’s opening scene a woman knocks on their front door and asks to take a look inside the house. This woman, Manami Kino, immediately falls in love with this house. And when I say “falls in love with it”, I really mean it.

Before long, she and Megumi’s father become an item and she eventually moves in.

What is most strange here though, is Manami’s behaviour towards the house itself. This woman takes house proud to a whole new level. But just how far will she go with her strange antics?

One with the elements

This is a house that has been given cultural status for its historic importance. And then when this mysterious woman comes by she remarks at the elegance of the wood work. She sees the walls; the floors; the joists and remarks at how “sexy” they are.

At first read of this story last year I took it at face value. I saw it simply as a woman who makes her home within this house, before beginning to make love to it. I enjoyed the read for how ludicrous it was and thought nothing more of it at the time. However, on revisiting it with my new appreciation for Junji Ito, I am seeing deeper into the material.

One wild theory

Later on when she reveals herself for the demon she is — with an almost wood-like appearance — I came to an interesting thought. What if she was some kind of tree spirit? Yes, I know the story is called “Wooden Spirit”, but I thought I’d dig a bit deeper. What if her love for this house is not as a result of the building, but of the materials instead? Could her love towards the walls and the beams come from them being made from a former partner of hers when they were once both trees?

Megumi and her Father’s house

My theory does take a few leaps in imagination, but that is precisely one of the biggest things I enjoy about Ito’s work: the new connections he helps to form in my brain. Yes, this is a bit of a crazy theory, but is it so unbelievable within the world of Junji Ito? I don’t think so.

I loved how the story ended too. It felt almost poetic for me after I’d been on this theoretical journey in my mind. Let’s think for a moment how the wood has been taken from its natural place: the forest, and forced to become something fit for humans: a house. From this idea we could suppose that what this demon / spirit woman is doing in the end, is herself turning the wood back into something that she could then love again — flesh and blood.

In Conclusion

Wooden Spirit is one of Junji Ito’s strangest stories when taken at face value, as I once did. But when I began asking myself questions about its world, I managed to build up that world even more in my mind’s eye.

Whether Ito had any similar thoughts behind this story as the ones I have discussed here, I’ll probably never know. But what I do know is, is that no matter what physical images someone sees on this story’s pages, his stories have the power to create unique and interesting visions in the minds of those readers… if you’ll let them.

As the second story in his Fragments of Horror collection, Wooden Spirit will open you up to new experiences within Ito’s work. To a very unorthodox and, dare I say it, beautiful love.

Futon

Futon is the first, and shortest, story in the Fragments of Horror Collection. It centers around a man who refuses to come out from under his blanket, for fear of the invisible spirits around him.

What is Futon about?

This is a very short Horror Manga story. It shows a young couple who live in a small apartment together. The Husband, Tomio, refuses to come out from under his blanket on his futon. The Futon is his bed.

He warns his wife of what he calls the “Dark Nature Spirits” in the room. She believes none of it until she actually gets a similar experience for herself.

But are these visions simply a manifestation of some extreme anxiety that Tomio is experiencing? Or are they as literal as he makes them out to be?

Short and Sweet

The story is very much to the point, yet no less charming than Ito’s other tales. Futon doesn’t try to fill out unneeded pages just to increase the count. Junji Ito has created a short horror story and isn’t afraid to just let it be what it is.

I absolutely love the big ceiling reveal that shows the monsters that Tomio is convinced he is seeing. The detail in that double-page spread is so great and a testament to Ito’s gorgeous horror style.

I was fine too with the vague back story that Tomio gives to his wife about the apparent witch. Some eerie tales can stand up for their strangeness alone, without the need for a comprehensive explanation. I think Futon is one such story.

In Summary

Despite it’s super short length at just eight pages, this is one of the Stories by the legendary Horror Mangaka that I remember more often. That double page spread is one that lives in my memory as vivid as the page itself.

I just hope I never get to see such visions off the page.