Tag: Short stories

  • 📂

    Fixed Face

    This is a facility made specifically to capture the features on the lower portion of the face.

    The Doctor explains the chair that makes Yagawa feel so uneasy.

    Synopsis — Fixed Face

    Fixed face is one of Junji Ito’s shorter stories, but is no less terrifying in its smaller page count.

    Yagawa is a young lady who has gone to a dental hospital for some unknown reason. We don’t know her treatment and, for the purposes of this story, it isn’t really important. On arriving, the doctor welcomes her to take the only seat — the dental chair — and to place her head between two ominous-looking clamps.

    These clamps, the doctor says, are to fix the person’s head in place to allow them to capture exactly the features of the lower part of their face. The clamp is made up of a huge over-arching machine. That machine reaches round a person’s head with pointed metal pieces that are to be placed inside the person’s ears.

    However, on fixing the lady in place, the doctor realises he needs to leave the room for a moment. Not long after leaving, he trips down the stairs on one of the hospital’s lower floors — killing himself.

    The location of the dental room is an area of the hospital not often covered by many people. So the lady is left alone, head clamped in place, without a word from the doctor or any other soul.

    She has no idea about the fate of her doctor. And has no way to get herself out of the place in which she is trapped. What will happen to the lady? Will she ever get out? And if so, at what cost will she manage to break free?

    Fear of never being found

    I remember hearing an urban legend when I was younger about a person buried alive and never being found. The thought of being trapped in a place where nobody knows where you are is scary in itself.

    But Junji Ito has created a similar story here, no doubt inspired by his own time as a working dentist. When Yagawa is fixed in place into the dental chair and then left, she is left in a very vulnerable position. But when we see how the Doctor ends up dying, she has no idea — however, we as the readers do.

    We have a power over her that somehow reinforces Yagawa’s increasing anxiety. As she freaks out in the chair, unable to free herself and with seemingly no one coming to her help, we are forced to just watch her struggle.

    What I found interesting too, was that there are no malevolent forces in operation here. There are no evil spirits, forces of nature, or a bad doctor trying to trick her. It is a situation of pure bad luck — for both Yagawa and her doctor. A situation that Yagawa must then try to escape from.

    Yagawa tries to get out

    It reminded me of Tomie: Babysitter and Amigara Fault

    In Tomie: Babysitter, the main character, Erita, falls into a similar situation. After being locked in a family’s baby’s nursery as a precaution, she ultimately finds herself trapped. With the only people who know she’s there unable to let her out. Although it is for very different reasons that her captors are unable to free her, the result is still similar.

    Perhaps this fear of been locked away, or being forgotten, is a legitimate fear of Junji Ito’s? And maybe it’s that fear that he lets feed into his work in these stories? Or maybe it is just that the fear of being forgotten is such a common human fear, that it naturally ended up finding its way into his work.

    Another similarity I felt in this story was of The Enigma of Amigara Fault. When we see Yagawa struggling and convinced that the ear clamps are pinching further into her head, it reminded me of the closing panels of Amigara Fault. Where we would see the tunnels gradually squeezing and bending the people who entered out of shape.

    That idea of being trapped and seemingly under the control of some outside force closing in on you is scary. And I think that similar theme was used well here in Fixed Face too — albeit without the human-shaped holes.

    In Conclusion

    I find Fixed Face to be a very effective little horror story that is light enough on its surface to make for an easy read. But I think there is a lot to admire in those moments where Yagawa is getting more and more frightened in her fixed position.

    There are some great examples of Ito’s penmanship on display. This is especially apparent where we see the lady’s close up face broken out into a sweat and panic. The fear is palpable and really jumps out of the page. Even the sense of motion as Ito draws her swinging to get out of her trap is really well done. Her increasing stress and anxiety is put across in a way that made it feel as though the pace was truly picking up. Almost as though I could hear the woman’s ever-increasing heart beat growing louder and louder.

    Despite the slightly-contrived way in which Ito sets up this situation — the man just having to leave the room and just so happens to trip and die — this is still up there as a favourite of mine. This is less of an evolving story per-se. It is more of a situation that this woman, and by extension us as readers, must endure.


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    Demon’s Voice

    Maybe it’s not a siren at all… maybe it’s the cry of a demon.

    The voices begin to scare the crew — Demon’s Voice

    Demon’s Voice — synopsis

    Somewhere out in the middle of the ocean, a group of fishermen are scouting the open seas for a decent catch. It’s been a while since they have had a really good catch, but they continue on nonetheless — determined.

    One night, whilst sailing across the deadly waves, a shrill cry is heard by the crew – what sounds like the voice; the voice of a demon. Luckily for one crew member, Koji, he happens to be inside the cabin with sea sickness when the voices begin.

    The very next day, seemingly out of nowhere, the crew obtain the catch of their lives. In the nets they see masses of tuna; the biggest catch they could have ever imagined. Koji, however, sees what is really in those nets: a huge pile of rotting corpses pulled up out of the sea bed.

    The crew, it seems, have started hallucinating – all except for Koji. The obvious cause seems to be the strange sounds from the night before. With Koji being ill in bed, he had failed to hear them. But what will happen once he hears them too? Once all of the crew are affected by those wailing sounds, what else will they end up dredging up from the ocean’s bed?

    Characters

    Thoughts on Demon’s Voice

    A real mystery this one – a warning to sailors.

    This seems to be inspired by the legends of the Sirens of the rocks – at least to me. The beautiful women who would lure sailors to their doom by sitting naked and playing sweet music. But in true Junji Ito style, we switch the sweet music for piercing night howls and naked ladies for rotting, horrifying corpses.

    I always find the stories that are set in a single location interesting. It’s good to see how a writer crafts an engaging tale when working within a self-imposed limit like that. And Ito is as equipped as any of the best in doing so. The claustrophobia of the boat can be felt throughout, as can the imposing nature of the sea around them.

    The idea of a small group of people being out on the open seas together is already a thought that could bring fears of isolation and the worry of having nowhere to turn for privacy. But when you throw in the idea of pulling up a load of old decaying corpses from the ocean floor, suddenly the great big ocean doesn’t feel so big any more.

    Summary

    Demon’s Voice is another short one shot story from Ito. The story is pretty straight forward and succinct. And like a lot of his shorter tales, packs a lot into its few pages.

    He creates a world that could easily be further explored: What happens to this, and presumably other, crews? Where is this voice coming from? Why is there a malevolent force at work that is preying on innocent sailors.

    I was reminded of another manga i’d read recently called “Mountain of Gods Precipice of the Unknown”. That too deals with an unknown force that is targeting a specific group of people. And for reasons unknown.

    All in all, Demon’s Voice is a nice little story about the sirens in the ocean. Sail on.


  • 📂

    Futon

    Futon is the first, and shortest, story in the Fragments of Horror Collection. It centers around a man who refuses to come out from under his blanket, for fear of the invisible spirits around him.

    What is Futon about?

    This is a very short Horror Manga story. It shows a young couple who live in a small apartment together. The Husband, Tomio, refuses to come out from under his blanket on his futon. The Futon is his bed.

    He warns his wife of what he calls the “Dark Nature Spirits” in the room. She believes none of it until she actually gets a similar experience for herself.

    But are these visions simply a manifestation of some extreme anxiety that Tomio is experiencing? Or are they as literal as he makes them out to be?

    Short and Sweet

    The story is very much to the point, yet no less charming than Ito’s other tales. Futon doesn’t try to fill out unneeded pages just to increase the count. Junji Ito has created a short horror story and isn’t afraid to just let it be what it is.

    I absolutely love the big ceiling reveal that shows the monsters that Tomio is convinced he is seeing. The detail in that double-page spread is so great and a testament to Ito’s gorgeous horror style.

    I was fine too with the vague back story that Tomio gives to his wife about the apparent witch. Some eerie tales can stand up for their strangeness alone, without the need for a comprehensive explanation. I think Futon is one such story.

    In Summary

    Despite it’s super short length at just eight pages, this is one of the Stories by the legendary Horror Mangaka that I remember more often. That double page spread is one that lives in my memory as vivid as the page itself.

    I just hope I never get to see such visions off the page.


  • 📂

    Fashion Model : Cursed Frame

    Ever since I was little, I’ve been afraid of having my picture taken. Or more precisely, of my body being fragmented by photos.

    Amy is a fresh young model with a strange phobia — Fashion Model: Cursed Frame

    In this bonus story from his Shiver collection, Junji Ito delivers an incredible depiction of a woman’s strange fear made flesh. And in the most iconic of ways too. One of the things about Junji Ito that is so great, is his big reveals that he often gives us. More often than not I don’t expect them. However, in hindsight they seem to be the only logical outcome.

    Logical in Ito’s world at least.

    What is Fashion Model Cursed Frame about?

    In Fashion Model: Cursed Frame, we are reunited with a favourite amongst Ito’s Characters – Fuchi. Fuchi is the shark-toothed, seven-foot-tall fashion model with a taste for human flesh.

    The modelling industry in Junji Ito’s world is very cut-throat indeed.

    Amy is a new model on the scene, who agrees to work for a company on a single condition – that they only ever photograph her full body. Never head or body shots. The idea of having parts of her body missing from photographs completely freaks her out.

    It is the kind of fear that feels right at home in Junji Ito’s world. And I could just tell it wasn’t going to end well for her.

    But how will Amy cope in a profession where people don’t stick to their word. An industry that is often depicted as being ruthless and super-competitive. Not to mention the demonic Fuchi lurking about; on the prowl within those choppy waters of the fashion world.

    In Summary

    Cursed Frame is only seven pages long and comes as a bonus in the back of the Junji Ito Shiver Collection. But despite its short length, it packs so much into those pages in a concise, and suitably violent way.

    I was really impressed at how he gave us a character with a very specific fear – and one I’d never heard of before either – and managed to bring her story full circle to face that fear head on. I thought Fuchi was an excellent conduit for the idea too – her presence alone brings a sense of dread and foreboding.

    I really wish Fuchi was more of a long-standing character – she’s so much fun to watch.


  • 📂

    The Sad Tale of the Principal Post

    One of the shortest of Junji Ito’s manga stories at just four pages. Included with his famous Gyo series is this little gem about a man who has some trouble with the supporting beam of his family’s home – the principal post.

    You can read Sad Tale of the Principle post included with the excellent Gyo.

    Nestled at the end of Junji Ito’s story `Gyo`, is a four page one-shot story about a man found trapped underneath the main supporting post of his family’s home. As the mother and children are busy entertaining visitors to their new home, screams are heard from beneath them. And there inside the house’s crawl space, tightly held beneath the Principal Post, is the father of the family.

    The metaphor for this short story seemed so obvious to me, but I wanted to share my thoughts on it nonetheless.

    For me, it seems that the father is literally holding the weight of the house on his back – supporting it for his wife and children. And instead of begging for help, he instead pleads for them not to move him – for doing so would risk bringing the whole building down. So for his family, he is willing to die in order to keep them warm and safe in their home.

    I’m not sure if this was perhaps Junji Ito expressing feelings of his own regarding his family and his willingness to do whatever he can to help and support them. But I do like to think so.

    This story does have a pretty ridiculous narrative when you think about it – the man being spontaneously trapped and the reason for it never being revealed – but I do think that this holds a nice message of family loyalty. Out of all of Ito’s one-shot stories I have read so far, The Sad Tale of the Principal Post is one of my favourites.