Ladyhawke live at O2 Institute, Birmingham

It was 6:35pm and I was stood fourth in line in the freezing cold winter. I was waiting for one of my most anticipated gigs of the year – Ladyhawke live at O2 Institute in Birmingham. This was the gig I’d been waiting for since late last year and I couldn’t quite believe it was finally here.

I had been to the O2 Institute before and so was aware of what to expect from the mid-sized venue, or so I thought. It turned out that the venue was in the lower level of the institute in a very intimately-sized bar. This was even better than I had expected.

As soon as I entered I emptied my bladder, got a coke and took my place front row, center of the all-standing crowd.

Support Band: Isle

I hadn’t heard of Isle before, but liked them as soon as I heard them play. They were just two guys – One on guitars / vocals / synth pads; the other on drums and backing vocals. They packed a lot of punch into their thirty minute support set and got the crowd revved up well for the main act. I kind of felt sorry for the front man when he asked if we “Manchester” were doing well. But he did soon apologize and was noticeably bashful over it.

Isle’s set was sometimes ethereal in sound, which often broke out into frantic, energetic bursts with powerful performances from both. Mixed in there were some effective uses of synthesizers and pads too.

Between the support set and the main act to come, we were treated to a thirty minute selection of Prince songs followed by “Fashion” by David Bowie. This only helped build up my anticipation of what was to come.

Main Act: Ladyhawke

When Pip and band walked out I couldn’t quite believe the wait was over. After listening to her music so much after only discovering her about 10 months previous, the moment was finally here. In fact I think it took about three songs until I could actually believe that Pip and band were actually stood there, about eight feet away, performing the songs I have come to love.

Some of the songs they performed came across heavier live than on the new album “Wild Things“. “Let It Roll” was one that stood out as sounding particularly heavier. This was specifically due to the heavier drum sound, which isn’t surprising considering I was within spitting distance of the bass drum. My only issue with standing so close, was that for me the drums tended to drown out Pip’s vocals a bit on some verses.

Pip came across as very reserved on stage, seeming almost shy at times. This only added to her endearing charm and when it came time to blast out the songs, which the whole band did with gusto, she soon opened up and didn’t disappoint.

I think my favorite song they performed was the title song from the new album “Wild Things”. This song, performed live right in front of me, gave me goosebumps just like I knew it would. It is by far my favorite song on the new album, and one of my top five of her’s overall, and she nailed it.

Although Ladyhawke are a band recognized worldwide, they still felt very much to be the kind of band you’d see at your local bar on a Friday night. They came across as a very down to earth band who weren’t afraid to perform within arms reach of their adoring fans. Each and every song was performed with precision and is a band I would definitely see on their next tour – albeit not so close to the drum kit next time.

Interview with Madeline from Priest

One of my favourite bands at the moment is Florida-based duo “Priest“, whose album I previously wrote about here. I have recently had the awesome pleasure of being able to interview Madeline from “Priest” about herself, what inspires her and some of her interests.

Check out the interview below.

Please tell us about yourself in as many or as little words as you like.
I’m a Florida Native. I grew up a dancer and have always been involved in music as well. In my free time I like to be outside with my dog, preferably near water, and read books by Carl Hiaasen or Michael Crichton.
Growing up, who were your heroes in music?
My earliest memories are of Spice Girls, Sade, Madonna, Queen, and Andrew Lloyd Webber’s Phantom of the Opera soundtrack. I was a dancer growing up so I was exposed to a bit of everything over the years. Debbie Harry, Gwen Stefani, Kate Bush strong female artists have always inspired me.
Growing up, who were your heroes outside of music?
Pippi Longstocking and Han Solo.
What was the first album you remember buying?
In all honesty, it may have been Backstreet Boys Millennium. Got the poster and everything. I still have both haha.
Was there any defining moment in your life when you knew that you wanted to write, record and perform music?
I don’t really think I had a defining moment- singing and dancing were part of my life for as long as I can remember. My mom tells me I was singing before I spoke real sentences. I took dance my whole life, and music is such a huge part of that. One of my best friends and I would make shitty recordings on my old laptop. I was in a band with friends in high school. So when Dave approached me for this project I was pretty excited.
Who is your biggest influence in how you approach what you do today?
It’s kind of hard to pinpoint. I’ve had a lot of great people guide me over the years, from voice teachers to Dave and his wife Liz.
What is the proudest moment of your career so far?
Releasing our full length record Priest last May.
What is your favourite Book?
The Hobbit.
What is your favourite Album?
That’s a tough one, it changes a lot. But Dark Side of the Moon would definitely be one. And my comfort album is Highway Companion by Tom Petty.
What is your favourite Film?
Star Wars.
What is your favourite TV Show?
So many! Game of Thrones, The Walking Dead, Curb Your Enthusiasm, 30 Rock, It’s Always Sunny in Philadelphia , to name a few.
Do you have a favourite film/tv/musical soundtrack?
I love the Pulp Fiction Soundtrack.
Are there any new albums you are binge listening to at the moment?
Not super new but I still am super into CHVRCHES’ Every Open Eye, Art Angels by Grimes, and Big Grams.
You’re walking somewhere and your mp3 player has only a little battery left; You’ve only got time for one more song. What song do you play?
Bitch Better Have My Money by Rihanna. lol.
What advice would you give to your younger self?
Don’t try to grow up so fast. Take it easy. Invest your time and talents in people who value you. Work for what you want.
If you could ask any person – living or passed – any question, who would it be and what would you ask them?
I think I’d want to ask my Grandma, who died before I was born, for any life advice. Everyone says she was an awesome lady, and I wish I could have known her.
Could you tell us a joke?
The Republican Presidential candidates. lol.

Thank you, Madeline

A big thank you to Madeline for taking the time to answer those – some really great answers there. Please do check out Priest’s album – check out my review of it if you need convincing. Here are links for buying their first full-length album on Google Play and iTunes.

Interview with Queen of Hearts

This week I had the pleasure of not only publishing my first interview, but also to have interviewed one of my favourite artists at the moment – London-based, electronic royalty, Queen of Hearts – real name Liz Morphew. Her debut album, Cocoon, is currently getting a daily playing on my headphones and you should check it out too! You can read an earlier recommendation of this album that I posted a while back.

I also found out on her Facebook page, that Liz is doing the London Marathon next month. If you’ve got a spare moment, head over to her donation page and help her reach her target.

Please tell us about yourself in as many or as little words as you like.
Wears heart on sleeve, dances until the early hours, writer, dreamer, spiritual, thrill seeker.
Growing up, who were your heroes in music?
Michael Jackson, The Spice Girls, Marvin Gaye, The Thompson Twins, Wham, Prince.
Growing up, who were your heroes outside of music?
My Grandad and my mum
What was the first album you remember buying?
Natalie Imbruglia or maybe one of the “Now” albums. I also had “heal the world” on cassette which was bought for me and played on repeat until the foil stuff came out – a sad day haha!
Was there any defining moment in your life when you knew that you wanted to write, record and perform music?
I wrote with my friends when we were kids but just stupid stuff. We didn’t care, we loved creating stories and playing out a part. I studied musical theatre and was classically trained but never felt a pull toward that, I think I knew I always wanted to create & experiment rather than sing other people’s songs. Moving to London changed my life and I was fortunate to meet and write with some incredible people – everything grew from there really.
Who is your biggest influence in how you approach what you do today?
In terms of song writing Sia, Max Martin, Brian Higgins and Ryan Tedder. Musically, I listen to so much I suppose I take inspiration from bits here and there, I know what I like but also keep open minded and try to push myself both writing and who I choose to listen to/ see live / buy records
What is the proudest moment of your career so far?
Probably releasing my debut album ‘Cocoon’ and performing at the BT London Live for the Olympics in 2012. Although I’ve done so much I never thought I would achieve, there are so many other moments too!
What is your Favourite Book?
The Alchemist
What is your Favourite Album?
Lucid Dreaming – Say Lou Lou or Hurts Happiness – they both remind me of certain times in my life and I think music should evoke emotion – good or bad. Also Robyn Body Talk is a badass album.
What is your Favourite Film?
When Harry met Sally
What is your Favourite TV Show?
Breaking Bad or Game of Thrones. I love the undateables for comfort tv, it warms my heart.
Do you have a favourite film/tv/musical soundtrack?
Probably Tron (daft punk) or the Despicable Me films as they were done by Pharrell Williams. 50 shades of Grey had an amaaaazing soundtrack but we won’t talk about the quality of the film
Are there any new albums you are binge listening to at the moment?
Coasts (self titled album) and Jamie XX in colour, oh and a lot of Carly Rae Jepsen E.MO.TION – so underrated
You’re walking somewhere and your mp3 player has only a little battery left; You’ve only got time for one more song. What song do you play?
Skip & Die – Love Jihad – literally the greatest song on my iPod
What advice would you give to your younger self?
Have more confidence to be you.
If you could ask any person – living or passed – any question, who would it be and what would you ask them?
I’d quite like to have a general conversation about life with Eckhart Tolle or Professor Steve Peters – I’m pretty obsessed with theories of the mind and spirituality.
Could you tell us a joke?
Who is a penguin’s favourite pop star — Seal (I’m not great at jokes- don’t judge.)

Thank you, Liz

A big thank you to Liz for taking the time to answer those questions. I remember The Alchemist being the book I happened to read that got me into reading regularly. And Say Lou Lou – love that album. I love their single “Better in the Dark” too.

Also a great joke – music-related too! You could say it was a ‘Killer’ joke!

Priest by Priest

I’ve been on a bit of an Electronica / Synth-Pop binge recently, and Priest’s debut L.P, eponymously-titled, fits that habit like a glove.

Priest, formally X priest X, is a pseudonym of singer Madeline Priest and producer David Kazyk. Their songs feel like glorious walls of electronic sound.

I think I’m right in saying that this could be categorized as Dream-Pop – it creates a certain mood and atmosphere with walls of layered synthesizers and other such instruments throughout the album. When I say Dream-Pop, you may start imagining ethereal soundscapes with no real punch. Well get that thought out of your head right now – just get it out.

The beats here are solid. There’s nothing mad going on with the beats – no surprise, off-beat time signatures – but this album is all about the atmosphere it’s creating. These beats give a solid drive for travellingthrough that atmosphere.

Electronic Upbeat Melancholy*

*Term Coined.

The lyrics and singing style feel melancholic, but the layered background and driving beat give the overall sound an upbeat and positive feeling. I’m not of the belief that all music needs to be happy happy joy joy – in fact I love a bit of sad music now and again – this is simply the impression I get when listening to Priest’s album.

Madeline sings kind of softly over the deep electro-geography of the opening song, “The Game”. Not soft as in weak. It’s soft as in using her voice as another layer within the song. With other songs, like “Heartbeats” and “Waiting For The End To Come”, her voice belts out with gusto. It’s nice to hear an artist who can give it some whelly, but only when it’s needed.

Even though I’ve only been listening to this album for about a month or so, it already feels like an old friend. It’s one of my current go-to albums to listen to while I’m coding (building websites).

At home in the 80s

This album feels like it would be at home equally in the 80s as it is now.

In fact one of my favourite songs from the album – “Waiting For The End To Come” – always brings up an image in my mind of two 80s kids dancing at some nondescript disco as the closing credits start on some John Hughes film. Think Molly Ringwald and Jon Cryer from Pretty in Pink.

The end of our sermon

You should now head off and take 40 minutes or so to listen to this modern 80s electro classic. You wont be disappointed. I myself am already looking forward to Priest’s next album. I’m really interested in seeing how the sound will progress with future releases.

Thanks for taking the time to read this review.