His word is his bond – Negan shows who is boss

Like many of the other comments on The Walking Dead’s seventh season opening episode, I too found it the most shocking. For me this episode showcased one of the best things that the writers do – take what you think you know and turn it around.

The drawing out of the big reveal set out by last season’s finale was left just the right length for me. Not only did it keep me on the edge of my seat, anxious, it also succeeded in putting me into as close to Rick’s frame of mind as it could. I don’t think I’ve ever been as anxious and upset and angry during one episode ever before. Of any TV show. The base of my spine was aching by the end from being that anxious while watching.

I’ve seen people writing about how the show was “too much” or that it had “jumped the shark”. What a load of bull. Negan is an evil bastard and will do anything to ensure his followers do exactly what he commands. He takes no shit and leads by example. The world of the Walking Dead has always been a brutal one and I think some people have become too comfortable in Rick leading the way and being the big boss man. I’m so glad a character like Negan has come into it to truly push our heroes to their emotional and physical limits.

5 of my favourite moments in Buffy The Vampire Slayer

Warning: Spoilers Ahead! There are spoilers below as I am openly writing about some of my favourite moments in Buffy The Vampire Slayer. Please don’t read on if you haven’t watched the whole series. Unless you don’t mind spoilers that is. Class Protector It seems unbelievable that, even within the world of Buffy, no-one had … Continue reading “5 of my favourite moments in Buffy The Vampire Slayer”

Warning: Spoilers Ahead!

There are spoilers below as I am openly writing about some of my favourite moments in Buffy The Vampire Slayer. Please don’t read on if you haven’t watched the whole series. Unless you don’t mind spoilers that is.

Class Protector

It seems unbelievable that, even within the world of Buffy, no-one had noticed how the weird happenings and dangers that have plagued the students have somehow linked to Buffy Summers.

So it was great to see Buffy presented with a custom award at the school Prom towards the end of Season 3. That award was “Class Protector” and was presented by none other than Jonathan Levinson.

Giles takes the glory

After Buffy beats Glory to a pulp with Olaf’s Hammer, she left the one-half of the shared body, Ben, on the floor. (Ben and Glory shared the same body, you see). She then warned him that Glory must never return, on pain of death.

As she walked away I remember thinking, “Oh Gosh, what a weak way to give a villain an open ending.”. That was until Giles came along and showed us a twinkle of his inner-darkness:

Giles: …[Buffy] couldn’t take a human life. She’s a hero you see. She’s not like us.
Ben: …us?

Where then Giles grabbed Ben’s mouth and nose and suffocated him right there, essentially killing him and Glory. Dark times.

Discovering The Body

In all of the fantastical moments of the Buffyverse, Demons and Vampires; spells and curses, it’s amazing how close to the human condition Buffy managed to stay. A crowning achievement of this was during season 5 when Buffy walked in on her mother, lying open-eyed, dead on the sofa.

Normally during Buffy the deaths were par for the course, with the slaying of Vampires and such, but this was the closest it got to real tragedy and was expertly handled by all involved.

I’d like to test that theory…

Possibly my top favourite moment, as it is with many people I think, is Giles’ cool as feck return to stand against the doped-up dark witch that was now Willow. Giles had been out of the series for a while, and in my opinion the series lacked slightly for it. But this made it all worth it when Willow, overcome with grief and high on the dark magics, met her match:

Willow: … and there’s not a person in the World who can stop me.
 
A bright flash of light knocks willow back several feet and on to her back. In the doorway stands Giles looking cool as heck.
 
Giles: I’d like to test that theory.

The Kids fight back

One of my favourite end of season finales was that of Season 3. This saw Mayor Wilkins finally reaching his ascension into… a giant snake.

That wasn’t the best bit though. The high point came when the school kids, who the Mayor was expecting for his first bite to eat, turned out to be armed to the teeth under their graduation gowns. Faster than sunlight they pulled out an array of weapons and gave him hell.

Stranger Things Series One – A Write Up

Think of The Goonies crossed with The X-Files, with a dash of Silent Hill. This is the best one line intro I could think of for Stranger Things that I hadn’t heard before.

It is the story of a small group of friends who are investigating the disappearance of their friend, Will. Will is seen in the opening scenes, being taken by something from out of the darkness – a sort of slenderman-like figure. As the story unravels, new and interesting characters weave through as this small town’s conspiracy slowly unfolds.

Stranger Things Series One

I spent my pre-teenage years enjoying films like The Goonies; Ghostbusters and Halloween. And yes – Halloween scared the undying crap out of me growing up. But so did Steven King’s IT and I lost count of how many times I saw that.

These films for me evoked a feeling that I haven’t felt since those younger days. The youthful feeling of wonder; of being lost in a world that wasn’t my own, where anything was possible. Last week I discovered a world where that feeling was re-kindled in me. That world being the small town of Hawkins, Indiana – the setting of Stranger Things.

The gang from Stranger Things

Stranger Things, as you will no doubt read everywhere, is like a glorious combination of so many eighties film and television. I even saw it being described as “Dark Amblin” – Amblin being Steven Speilberg’s company, which is a highly-accurate description in my opinion.

Much more than just an eighties homage

All of the reviews of Stranger Things always seem to focus on it’s proven abilities to pay homage to the eighties. To early Speilberg films; John Carpenter asthetics and soundtracks; Steven King themes. It does do this, and in spades, but Stranger Things is so much more than that.

The first thing I wanted to mention was the cast – the acting in this series is superb. The main protagonists, the four kids playing dungeons and dragons at the start, have a great rapour together. They have that kind of charisma that I remember from The Goonies, IT and Stand By Me.

Natalia Dyer plays Nancy in Stranger Things

Natalia Dyer, who plays Nancy, had such a great range in her character. Starting with her almost-naive innocence through to her portrayal as a weapon-weilding bad-ass. For me she was one of the most diverse, stand-out performances of the series. Along with of course Millie Bobby Brown, who plays Eleven. Millie played her character so well that she was even on par with the veteran actress of the show, Winona Ryder.

The growing relationship between Mike and Eleven was really well done too. So much is built up between the two of them during those eight episodes, which I guess is down to great writing and great acting.

Even stranger things ahead?

At the time of writing it has been heavily suggested that a second, and possibly even more, series have been green-lit, which is awesome news. To be fair the ending was done well in that I feel it could be left there, in the same way that Twin Peaks “ended”. In some ways there are open threads, but the core of the story was told, and told really well.

Nevertheless going by how much I enjoyed Stranger Things series one, I am already eagerly awaiting the series two.

Update: Stranger Things series 2 is due for release on Netflix on Friday 27th October 2017; just in time for Halloween.

What did you think about Stranger Things?

Have you seen Stranger Things? I’d love to hear what you thought.

What are your theories on the next series?

Let me know in the comments section below.

Natural Born Losers by Nicole Dollanganger

This week’s episode of “The Walking Dead” was quite an emotional one. One of the more likeable, newer characters got a good amount of screen time for some interesting character development. That was just before that person was shot in the back of the head with an arrow. When carrying her body back to the home base, the remaining characters were backed musically, by one of my favourite artists at the moment – “Nicole Dollanganger” with her song “Chapel”.

Contrast

Art, whether it be film; tv; or music, is always more interesting when two or more contrasting ideas are brought together to form something that wouldn’t have been thought possible before.

Like when Quentin Tarantino had “Stuck In The Middle With You” by “Stealer’s Wheel” playing over the famous ear-cutting scene in “Reservoir Dogs”. Or when we see Hannibal preparing a beautiful meal only to know that it was made from human flesh.

Nicole Dollanganger’s music fits into this idea of stark contrast perfectly, and is one of – if not the – most beautiful joining of acoustic guitar and a female voice I’ve ever heard.

She is a siren

The opening to the album, “Natural Born Losers”, tells you straight away what Nicole is all about stylistically – although not what she is limited to. Poacher’s Pride opens with a sweet, innocent-sounding voice singing the follow words:

I shot an angel with my father’s rifle
I should have set it free, but I let it bleed
Made it into taxidermy, hung it on my wall
On my wall

Poacher’s Pride, Natural Born Losers

Straight away you get the beautiful sound of Nicole’s haunting voice along with the dark lyrics – a siren enticing you in to experience this darkness with her. And you wont be able to deny her.

That song – and the rest of the album – conjured up imagery and feelings to me, of my watching the first series of the aforementioned TV series, “Hannibal”. For those who haven’t seen it, it’s that dark feeling of beauty in death, and innocence that can be found in the darkest places.

The Style of the Album

Her voice, when I first heard her, immediately made me think of a slightly-introverted, young girl sat in the corner of a pub on open-mike-night, performing to herself, with everyone else there as extras. Her lyrics however reveal anything but an introverted artist – she is telling stories about, and based on, some dark, hard subject matters.

The album’s instruments are often minimal and range from acoustic guitar, to thundering bass-heavy kick drums that you will feel more than hear, as in the song “Executioner”. Occasionally the guitars are used to give a drone, pedal-tone effect, but then out of that darkness a heavily-distorted, almost smothered, electric guitar will stalk towards you. You can hear this in the album’s mid-way song, “Alligator Blood” – one of the album’s heaviest-sounding songs, along with “Executioner”.

From out of the darkest places.

“In the Land” is one of my favourite songs on “Natural Born Losers”, and is a beautiful sounding song with the most horrifying inspiration for a song I’ve ever come across. As I read on a comment for the song, it was apparently partly inspired by an american serial torturer called David Parker Ray, whose story I wont repeat here.

Give it up for the milk carton angel
Soaked in vomit, tied up at the kitchen table
Choking on the chicken bones, a plate of mashed potatoes
Her momma screaming “come on, bitch, chew and swallow”
When she’s done she will give her to the earth

In the Land, Natural Born Losers

In fact a lot of the album seems to have dark inspirations, which is in stark contrast to the result that her songs have. These are some of the most beautiful, emotive songs I’ve heard in a long while and often have her music on repeat when at work.

In Closing

I have tried to give as honest as possible a review of this album and really hope that people reading this don’t see this album’s darkness as something to be avoided. As humans it is important that we experience a wide range of emotions from art and music – even if it sometimes makes us feel uncomfortable – for only when we experience those feelings can we truly grow.

It is artists like Nicole that deserve to be, and need to be, heard. She is one of the few people who dare to look into the darkest reaches of human experience, and sometimes depravity, and come out with some of the best music I’ve heard in a while.

And thank you to Grimes who put Nicole’s album “Natural Born Losers” out on her purposely-formed company in order to get more people to hear this unique artist. Nicole had already recorded many albums by herself at home before this album came out, which are just as good as this album. Its great that she has now been introduced to many more people who can themselves now investigate her amazing back catalogue.

What are your thoughts on “Natural Born Losers”, or on Nicole Dollanganger’s music in general? Leave your comments below and let’s talk.