Completed first sidequest.
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Forsaken Supply Raider – The Last of Us Remastered
Complete a game of Supply Raid on Bookstore, Home Town, Suburbs or Bus Depot
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Myself and @Maelacuna came 2nd in Peep Show pub quiz. 2 person team. 1st place had 7 people. So really we won.
📂 Journal
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Opportunist racism of my morning commute
Yesterday morning I was witness to a bit of casual racism which really got me annoyed and ready to rage at the dickhead who uttered it. There were no bad words used but, nonetheless, his confused intent got to me.
The Setup
The train was pulling into the station as I was waiting to board it with my fellow commuters. I have come to recognise a few of the people who are regulars on my train. One of which is a young lady I tend to notice, as she also gets off at the same station as me at the other end.
As we were boarding, another lady squeezed herself and her travel bag between the first lady and the train in order to get on quicker. The affected lady didn’t seem bothered as she wasn’t barged or anything.
However, a man stood just behind me decided to pipe up and make his thoughts heard.
The utterings of the opportunist racist
Man to lady : “I think she wants to get on there.”
The lady smiled politely.
Man to lady : “She must be important as she’s got her bags.”
Again, the lady acknowledged him but didn’t reply.
Man to lady : “You can tell she’s not British”.
You can tell she’s not British. Like… What the fuck? The lady who squeezed ahead didn’t say a word and to be honest, didn’t seem phased at all by his comments. And while I don’t condone squeezing past people in order to get their seat on a train, I condone even less any excuse for racism.
Firstly there was nothing about the woman to indicate she wasn’t British (whether she actually was or not is completely irrelevant). Secondly, I don’t even know if this idiot knew what he meant by the term “British”. I can guess what he thinks it means though.
In Closing
It really annoys me when people who could otherwise be smart, have this unfounded ideas of “us and them”. The seeds of which are usually planted by the mainstream media or in people’s filter bubbles in Facebook, twitter et al.
We as a people can solve so many complex ideas and theories, we can put people on the moon, but we can’t all get along in an open and friendly manner.
📂 Journal
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Melodrama by Lorde
Melodrama by Lorde is an album I have been waiting for with baited breath, being one of my favourite artists over the past ten years.
I was a little worried by the sound of the album’s first single ‘Green Light’. I liked the song well enough, however, it didn’t seem to me to have that idiosyncratic sound of Lorde’s. When compared, for example, with Tennis Court from her first album.
That was my initial thought. However, now I have come to listen to the entirety of Melodrama, every song on it is growing on me.
I loved how on this new album she seems to be bringing in a wider array of sounds and styles into her music. It feels somewhat lighter this time around, with the songs feeling much more unified across the album – feeling like a complete arrangement start to finish.
Even on first listening, some songs jumped straight up at me. ‘Writer in the Dark’ is as bare and as beautiful as they come. Her voice climbs higher than I had previously been used to hearing from her and it is glorious. She seemed to me to be channeling the essence of Kate Bush at times in this song.
I think with the huge popularity of ‘Pure Heroine’, her first album, it was always going to be a tough one to follow. There was a worry for me that she would end up pigeonholing herself into the niche that she created. She could have either given us more of the same – playing it safe and giving her fans what they loved, or tried out new things and expanded the boundaries of her sound even further. Her choosing the latter made me very happy and very relieved.
Melodrama has the hallmarks of an instant classic for me. She has taken her signature sound and style, and moved up a level; pushing her sound and our perception of what she is capable of.
You can buy Lorde’s new album on Amazon today.
📂 Journal
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Truth is a beautiful thing by London Grammar
London Grammar’s latest album, ‘Truth is a beautiful thing’ is an absolutely stunning journey of emotion and sweeping scores. I enjoyed their debut too, but this album has just completely got its hooks in me.
Hannah Reid’s voice is simply stunning as she powers through the songs, at times with an air of Florence Welch to her. That, along with the atmospheric music behind her, cause me to almost lose track of time when I’m listening. Sometimes it seems like so much time has passed when in fact only two or three songs have.
The song that hooked me definitely has to be ‘Hell to the liars’. Words can’t describe it’s beauty and the affect it continues to have on me as I keep replaying it. I’ll link a video below as well as a link to buy the album.
London Grammar have quickly become one of my favourite bands in recent days and have been added to my current list of obsessions.
📂 Journal
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3 E.P. by Scarlett Taylor
One of my favourite meloncholic artists, Scarlett Taylor, is back with her latest E.P. ‘3’.
All of her previous releases have been great. So my biggest fear with writing about this one was that I would end up repeating myself.
You see, if Scarlett had released similar songs to her previous album, ‘Churches’, although I’d have been perfectly content, I’d have nothing new to say. Luckily for me, she has tried new things with this E.P. which not only expands the variety in her music, but also gives me new ways of discussing it.
In ‘3’ she has gone down a darker path – even occasionally dipping into some more electronic styles. These new ideas of hers don’t create a completely new sound for her, instead they allow her to take her signature style and enrich it even further.
Anybody familiar with her music will know it’s not the most light-hearted of sounds, and with her experimentation on this E.P. she has given herself fresh ways of exploring the darkness.
Her experimentation has allowed her to bring fresh dimensions to her music, further imprinting herself into the very soundwaves she creates.
📂 Journal
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Interview with Du Blonde
Beth Jeans Houghton goes by the alias “Du Blonde” and is not only an awesome musician, but also works in photography; comic books and illustrations. I had the opportunity to ask her a bunch of questions about herself which she has kindly answered for us here.
She was super fast in answering these questions, however, I have taken a long time getting them published as this site has been going through reshuffles. So at last here it is – my interview with Du Blonde.
Interview with Du Blonde
- Please tell us about yourself in as many or as little words as you like.
- I’m a musician and artist from Newcastle. I make records, comics, videos and sculptures.
- Growing up, who were your heroes in music?
- When I was a kid I was really into 60’s pop and soul, then I moved onto glam rock, psych and garage. But always the standards like Neil Young, Bowie, The Mamas & the Papas. I went through a big ‘Love’ phase, especially their records Forever Changes and Da Capo, and also Frank Zappa and Captain Beefheart. But really if you could see what I listen to day to day it varies from ‘Poison’ by Alice Cooper to William Basinski’s ‘Disintegration Loops’.
- Growing up, who were your heroes outside of music?
- I had a mad crush on Michael Palin when I was 6. I think the people who inspired me were the ones who seemed to be relentlessly doing what they love, travelling and creating worlds to live inside of. If I could anthropomorphise a whole company i’d say Disney. Those movies helped shape my imagination when I was a kid. They were enthralling and they made me think. Before I could understand it I was trying to figure out how they made those illustrations move. Then there was the musical aspect. ‘The Lion King’ for example introduced me to Elton John and Hans Zimmer, whereas ‘Fantasia’ introduced me to Bach and Stravinsky.
- What was the first album you remember buying?
- Britney Spears’ ‘Oops!… I did it again’ was the first record I bought with my own money from an HMV in Calgary. I was 10 years old, wearing a strappy mini dress and foam platform sandals. There were children playing in the streets in huge outdoor paddling pools and I thought it was just the best.
- Was there any defining moment in your life when you knew that you wanted to write, record and perform music?
- I think I was getting the urge a long time before my head caught up and I realised it was something I wanted to do. I went through a phase of trying to sing opera around the house when I was a kid which was awful. I used to make a lot of costumes and I had dreams of creating things but it wasn’t until I was about 15 that I realised I wanted to, and could, write music if I put my mind to it.
- Who is your biggest influence in how you approach what you do today?
- My mother taught me a lot about standing up for myself. She was always supportive of me pursuing what made me happy while at the same time giving me an understanding of how hard you have to work if that’s what you choose to do. She gave me the ability to dream and approach those dreams practically.
- What is the proudest moment of your career so far?
- The proudest i’ve felt is sitting in the back of a van with a group of people I love, travelling along a road, knowing that somehow I was blessed with a life in which I can do just that. The freedom to do what you love on your own terms is infinitely more valuable than any cheque or accolade, and I hope I can continue to do that for the rest of my life.
- What is your favourite book?
- ‘Jonathan Livingston Seagull’ by Richard Bach, and Richard Brautigan’s ‘In Watermelon Sugar’.
- What is your favourite album?
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- Joni Mitchell – Ladies of the Canyon
- Frank Zappa – Over-nite sensation
- Bruce Springsteen – Nebraska
- fIREHOSE – Ragin’, Full on
- Big Star – #1 Record
- What is your favourite film?
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- True Romance
- Paris, Texas
- Badlands
- koyaanisqatsi
- The Royal Tenenbaums
- What is your favourite TV show?
- I binge-watched Stranger Things in one night and ate so many cashews that I had to ration my water so I wouldn’t have to leave my room and I was prepared to pee in a bottle. But also, The Wonder Years, Gilmore Girls and The Simpsons.
- Do you have a favourite film/tv/musical soundtrack?
- Grease is fucking great. But in terms of soundtracks, ‘Man on wire’ turned me on to Michael Nyman. I thought American Hustle had a really great soundtrack.
- Are there any new albums you are binge listening to at the moment?
- Well it isn’t an album but right now i’m listening to the audio book of Bruce Springsteen’s autobiography which is great. I have a few playlists I alternate between which include things like the Rolling Stones, Aphrodite’s Child, Karen Dalton, Rush and Simon & Garfunkel. When I’m stressed I listen to Peals’ record ‘Walking Field’.
- You’re walking somewhere and your mp3 player has only a little battery left; You’’e only got time for one more song. What song do you play?
- Right now it’s ‘Visions of your reality’ by Ultimate Spinach.
- What advice would you give to your younger self?
- Don’t start smoking. Trust your instincts more and don’t back down when they’re being put into question. Don’t worry about the boys that don’t worry about you.
- If you could ask any person – living or passed – any question, who would it be and what would you ask them?
- If I could go back in time I’d ask my Grandma to teach me how to knit the socks she made.
- Do you have any upcoming projects you’d like to mention?
- I’m working on a new record right now which i’m excited about, I made it out in Oakland with some really great people and i’m playing more guitar and producing which is really freeing. I’m also putting together issue 2 of my comic book ‘Butt Hurt’ which includes a lot of vomit and a guy who tried to woo me by comparing me to a game of Jenga.
- Could you tell us a joke?
- I can tell you about the time I ate a prize-winning square Hula Hoop worth £100,000 in the dining hall of my primary school in 1996.
Thank you, Beth
A big thank you to Beth for taking the time out to answer these questions and giving us some insights into the lady behind the frickin’ awesome music.
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Between hope and danger by Hante
Hante’s music is always a dark, dreamy escape that I am addicted to getting lost into. As soon as I learned of her new release, ‘Between Hope and Danger’, I immediately had to listen to it. From the get go it contained everything I love about her music – mystery-entrenched soundscapes of unapologetic synth. That and her haunting, echo chamber style vocals.
The opening, “Le Point de Non-Retour”, was a dark choice with a Gothic choir accompaniment and a buzzsaw-style style. Characteristic of a relatively new style of music I’ve discovered called “Witch House”.
“Lies // Light” sounds like she’s experimenting with a typical Synthwave / Outrun style, but still in keeping with her own aesthetic. At times this song has sounds that remind me of old-skool Sega MegaDrive games. This is only going to be a good thing.
To my ears, she is at her darkest during the song “Eternite”. A sweeping, eerie synth is met by a devil’s organ and married by her wistful voice.
In the titular song, “Between hope and danger”, I might be mad, but I can hear references to both John Carpenter – who is par for the course in modern electronic music – and Angelo Badalamenti. For those who aren’t familiar with Angelo, he is the man responsible for many of David Lynch’s film scores. “Between hope and Danger” had echoes for me back to his main theme for Mulholland Drive.
All in all this album is a terrific addition to an already impressive body of work.
P.S. If you’d like to get to know the lady behind this great music, you can read my interview with Hante.
📂 Journal
