I don’t normally keep an eye on country music album releases, but when I heard that Kiefer Sutherland had an upcoming album, I got excited to say the least.
After getting over the fact that Jack Bauer was singing to me, and actually listened to the music itself, I found that I was really enjoying it on its own merits. The is a great, solid country album with a tonne of variety.
Track by Track… Bauer
I’m sorry, I really couldn’t help the bad pun there.
“Down In A Hole” kicks off with the overdrive-guitar sound of “Can’t Stay Away”. It’s a solid introduction to the album with some lovely female backing vocals too.
“Truth in your eyes” is the next song, and is just as solid as the previous. It deals with the theme of lost love, but approaches it with an upbeat tempo and delivery.
The first single to be released off of this album, “Not Enough Whiskey”, is the fourth song. Aside from my huge man-crush on Kiefer Sutherland, this song was a big reason why I was excited for this album. It encapsulates most of what I thought a lot of country music dealt with – lament for a lost loved one.
I really like the guitar work on the album too. “All She Wrote” is a thumping, guitar-chugger that takes its time to build itself up, being the album’s longest song at just under five minutes. I love turning this up to full. Another great example of guitar work is “Going Home”, which has a great solo towards the end. This solo really stuck out to me on the first listen.
On one hand, as the album does have some absolute belters, it also has the beautiful “Calling Out Your Name”. It’s a light acoustic number with some light accompanying waa waa, and does well to showcase Kiefer’s abilities as a singer.
Headphones on, Jack in
Before I started branching my musical tastes out, I had two perceptions of what country music was. The first idea I had was a hillbilly style, the other was the stories of jilted lovers who had been driven to drink and depression. Recently, however, I have learnt to appreciate more of the nuances of country music, and “Down In A Hole” explores a variety of them.
I highly recommend sticking some headphones on, cranking it up to eleven, and rocking out. I think my fellow commuters may want to kill me though… Damn it.
I keep seeing negative reviews of the Suicide Squad, but you know what? I had fun, dammit. Suicide Squad was a lot of fun – there, I said it.
Don’t go into this film expecting much more than it is – an action-packed, romping, stomping arcade of cinema fun. Because that is what it is. I did however end up caring for most of the characters. I mean, the witch was pushing it a bit, her gyrating to a huge smoke of destruction of some machine or another was a slight downer, but I accepted it as the catalyst for a fun ride.
In regards to the world of the Suicide Squad, I went into the film having no prior knowledge to most of the characters. I knew Harley Quinn’s background with the Joker but that was about it. So I didn’t have that comic book baggage that I’ve seen people complaining about – about how Harley Quinn and The Joker’s abusive relationship has been down-played.
There’s a bit of ass going on
If you’re going to be offended by a lady bending over in hot pants then don’t watch this film. I’m not going to pretend the film’s not flaunting Harley Quinn’s ass quite a bit, it is. However it was good to see her character coming across as more than just a wiggling bum. She had a vulnerability that she masked with the fact that she is just plain mental. Plus I’ve been a fan of Margot Robbie since she played the not-quite-as-mental Donna Friedman in Neighbours.
Jared Leto was a surprise Joker for me. I actually really liked him as the Clown Prince of Darkness. His portrayal was fresh, as Heath Ledger’s was before him. Not only that but he gave a decent edge of darkness to the character. His darkness came out when dealing with the relationship between him and Harley Quinn. Their relationship is destructive and somehow beautiful at times.
My favourite scene with them was probably The Joker holding Harley Quinn up in a vat of chemicals, during an origin scene, with paint twisting around them.
Pacing and Climax
I found myself interested all the way through the film. There was never a point at which I got bored. There were moments of annoyance as characters made stupid decisions, but I’m finding myself being less critical of a film’s short-comings nowadays. I try to enjoy the ride instead of moaning about one particular turn.
As climaxes go this film’s was okay. I mean, I wasn’t particularly bothered about the possibility of the end of the world, or the main baddies themselves, but I was bothered about the main characters. I wanted Deadshot to get home to his daughter; for Diablo to find his peace; and of course for Harley Quinn to find her Puddin’.
Think of The Goonies crossed with The X-Files, with a dash of Silent Hill. This is the best one line intro I could think of for Stranger Things that I hadn’t heard before.
It is the story of a small group of friends who are investigating the disappearance of their friend, Will. Will is seen in the opening scenes, being taken by something from out of the darkness – a sort of slenderman-like figure. As the story unravels, new and interesting characters weave through as this small town’s conspiracy slowly unfolds.
Stranger Things Series One
I spent my pre-teenage years enjoying films like The Goonies; Ghostbusters and Halloween. And yes – Halloween scared the undying crap out of me growing up. But so did Steven King’s IT and I lost count of how many times I saw that.
These films for me evoked a feeling that I haven’t felt since those younger days. The youthful feeling of wonder; of being lost in a world that wasn’t my own, where anything was possible. Last week I discovered a world where that feeling was re-kindled in me. That world being the small town of Hawkins, Indiana – the setting of Stranger Things.
The gang from Stranger Things
Stranger Things, as you will no doubt read everywhere, is like a glorious combination of so many eighties film and television. I even saw it being described as “Dark Amblin” – Amblin being Steven Speilberg’s company, which is a highly-accurate description in my opinion.
Much more than just an eighties homage
All of the reviews of Stranger Things always seem to focus on it’s proven abilities to pay homage to the eighties. To early Speilberg films; John Carpenter asthetics and soundtracks; Steven King themes. It does do this, and in spades, but Stranger Things is so much more than that.
The first thing I wanted to mention was the cast – the acting in this series is superb. The main protagonists, the four kids playing dungeons and dragons at the start, have a great rapour together. They have that kind of charisma that I remember from The Goonies, IT and Stand By Me.
Natalia Dyer plays Nancy in Stranger Things
Natalia Dyer, who plays Nancy, had such a great range in her character. Starting with her almost-naive innocence through to her portrayal as a weapon-weilding bad-ass. For me she was one of the most diverse, stand-out performances of the series. Along with of course Millie Bobby Brown, who plays Eleven. Millie played her character so well that she was even on par with the veteran actress of the show, Winona Ryder.
The growing relationship between Mike and Eleven was really well done too. So much is built up between the two of them during those eight episodes, which I guess is down to great writing and great acting.
Even stranger things ahead?
At the time of writing it has been heavily suggested that a second, and possibly even more, series have been green-lit, which is awesome news. To be fair the ending was done well in that I feel it could be left there, in the same way that Twin Peaks “ended”. In some ways there are open threads, but the core of the story was told, and told really well.
Nevertheless going by how much I enjoyed Stranger Things series one, I am already eagerly awaiting the series two.
Update:Stranger Things series 2 is due for release on Netflix on Friday 27th October 2017; just in time for Halloween.
What did you think about Stranger Things?
Have you seen Stranger Things? I’d love to hear what you thought.
I woke that morning feeling uneasy from the previous night’s events. This was followed by Delilah giving me the task of investigating the knocked-out communications that had been reported.
Once I was dressed and awake, I set off towards the cave entrance I found during the previous day. From here I continued north until I found the cables overhead. Following the cables up a mountain incline at Beartooth Point, past some discarded beer cans, I came to the top of the hill – and to where the communication wire had been cut clean.
I was sure that it was these bloody girls from yesterday who were responsible for cutting the wire. On continuing my investigation, I found their previous campsite abandoned. That is if you ignore the discarded beer cans about the floor. Continuing forward I came across a lone rucksack hanging from a tree, inside which I found a disposable camera and enough rope to last me a while.
I moved forward down the only trail I hadn’t yet investigated and came across a chain-linked fence, warning people to keep out. I wonder what could be on the other side? Onward I travelled on through a beautiful area known as Five Mile Creek. I followed the trail to the south west till I found the girls’ new campsite. This new site was also abandoned, only this time in a way that seems to have been violent in nature. The tent and discarded clothes had been torn and spread about the ground; the area was a state.
Just where could these girls have now got to?
In Conclusion
During my second day in Firewatch I managed to uncover more of my surrounding countryside. Some side areas may have been missed but I will go back and find them shortly. I am loving the sound design of this game – how the trees rustling in the breeze seem to be treated as part of the score. I love how the music is using sparingly and to great effect when it is. The isolation is a comfortable one at the moment, but I am expecting things to get darker pretty soon.
Earlier on today I bought Firewatch for P.C. after hearing great reviews about it. Those reviews so far seem to be spot on.
My first day in Firewatch was an interesting one. The opening intersects a multiple-choice backstory for the main character with his trekking to his new place of work. The telling of this backstory was perfectly melancholic, piling on the loneliness and atmosphere of the great big empty wilderness.
The game is split into days, from what I’ve seen – having completed “Day One” so far. This seems like a really interesting way to approach this narrative. I can imagine the isolation of the game really kicking in once I get through the many days to come.
Day one consisted of my meeting a lady coworker – albeit on the radio. We exchanged witty banty, which was followed with my being given my first task – investigate nearby fireworks.
My First Day in Firewatch
I was told to head down to a nearby lake to investigate the nearby fireworks, which I found after negotiating the winding descent from my new place of work. On arrival I was greeted by discarded clothes, some rucksacks and the near-distant sound of music.
Following the sound into the woods I came to a clearing where I found the stereo next to me, and two girls – the culprits – over in the middle of the lake skinny-dipping. After I threw the stereo into the water they soon ran off, shouting obscenities, leaving me to negotiate my way back to home base.
The typewriter was lying at the foot of the watchtower’s steps on my return. The inside of the watchtower had been vandalised and the window had been smashed. I had my second feeling of fear in the game at this point. The first time came earlier but I don’t want to spoil that for anybody.
I assumed it was vandalised by the girls from before, but I doubt they could get back to their clothes, dress, and get back to the tower to trash it before I retured.
I guess time will reveal what happened.
First Impressions
My first day in Firewatch was very engrossing – it drew me into its wonderful isolation with ease and the occasional mild fright. The atmosphere is just the right side of isolation. It has a creepiness to it and I’m not actually sure yet if this is a horror game or not. I really hope not, ’cause it’ll be scaring the hell out of me soon if it is.
Growing up with great parents, I took a lot of my early tastes in music from them – my Dad specifically. But through growing up and exploring new styles, my taste in music has grown significantly.
I started by hearing bands like Fleetwood Mac; Supertramp; Meat Loaf; Whitesnake; to name a few, and I still have a place for them. In fact just this week I have been listening to Meat Loaf’s Bat Out Of Hell 2 again.
Jim Steinman is a composer mostly known for his work with Meat Loaf
One of my favourite songwriters of all time is Jim Steinman – the composer behind Meat Loaf’s early music as well as many other theatre shows, films and varying other bands.
On leaving school and going to work in London I was about 18 years old and was getting into heavy metal and gothic rock. Bands like Marilyn Manson; Korn; Slipknot; Linkin Park often did the rounds on my little CD player – much to the annoyance of my co-workers.
Later on at college I would find myself being introduced to more rock bands – this time older bands like Iron Maiden; Judas Priest; Ozzy Osbourne.
Leaving Home
When I moved out of my parents’ house I moved in with a friend and her then-boyfriend, who was a DJ and producer. I would often hear him playing dance music and, although it never grew on me that much, still found it interesting to hear this new style. Alhtough saying that I did once go with him and some other friends to hear James Zabiela live, which was fucking insane. Also I did get introduced to Aphex Twin through him. He did also play older, more indie types of music too – like The Stone Roses and The Smiths which then turned me on to that style.
Aphex Twin is an experimental electronic musician
When I first moved out of my parents was also when I started teaching myself to play guitar. Because of this I inevitably started listening to more guitar orientated music. My taste in music grew to include Joe Satriani; Steve Vai; Paul Gilbert; and Buckethead big time. In fact I was pretty obsessed with these guys. I would also learn finger-picking folk music too. Artists like Joan Baez; Janis Ian; and Lindsey Buckingham were very inspiring to my learning.
Recent Years
Ladyhawke is an Australian multi-instrumentalist.
When I was first learning the guitar and was looking for inspiring artists I became a bit of a music snob. If someone had suggested Taylor Swift back then I’d have laughed in their face. But things do change. I have since gotten into lots of female-led artists/bands. One of my all-time favourite artists now is Lana Del Rey. I also love people like Ladyhawke; Grimes; and yes, even Taylor Swift.
Also in recent years, in fact in the past 12 months or so, I have gotten really into Grime music – rap music mainly out of London, although it can be performed anywhere. Artists like JME; Big Narstie; Kano; Giggs. All these guys I love listening to. And often enjoy watching the BBC Radio One Fire In The Booth and the 60 Minute Takeovers.
The Future
As I go forwards I’ll continue to try and widen my taste in music. I probably wont like it all, but you don’t know until you explore. What I can say is that this past week I have been getting heavily into this whole Retro New Wave genre I’m hearing. I re-emergence of 80’s-inspired music. But the good, synth-led music; none of that bloody Culture Club stuff.
Today me and my good lady went to see the new Star Trek film, Star Trek: Beyond. I had no expectations for it – I was neither excited or anticipating it to be bad; I just went and watched a film at the cinema. And as it turned out I enjoyed it.
This film felt like it was intentionally going for a low-key feel. By that I don’t mean it was boring or poorly made – it just felt like they weren’t trying to make a huge blockbuster; just an enjoyable night out at the cinema. And that, it was.
I especially loved the little twist at the start with Kirk delivering an item to a vicious-looking alien race. I wont spoil it for you but it did make me chuckle.
So yer, the new Star Trek – pretty good. Take your loved ones for some unapologetic space-roaming fun.
This E.p. just exploded into my ears in a way that reminded me of later-era White Stripes. The opening song is hugely-energetic that doesn’t let up for a second. It’s labelled as “pop” on my music subscription but I don’t think that does this E.P. justice. It’s got a chugging, powerful groove that would strangle the life from most modern “pop”.
“Keep your love”, the E.P’s second song starts calmer than it’s predecessor, but soon builds into a big chorus and fuzz-like-effect riffs. I am loving this E.P. already and am already thinking four songs isn’t enough for my newly-acquired thirst for this music.
The third song, “Blue with you”, really slows thing down into a comfortable groove that gives more room for Hannah’s voice to come through the song, and a cracking voice it is too. She weaves this blues-style song with an ease of command. This is another one too that builds up to a belter of a climax and she really does give it some whelly with her voice before bringing it back down to the ground before the final song, “Hey You”.
“Hey You” is a lovely, stripped back acoustic number that shows Hannah Grace is great-sounding with or without her huge arrangements backing her up. As much as she opened the E.P. with force, she closes it with a calm, soothing nature.
Hannah Grace is an artist I’m going to be keeping an eye on over the coming years.
So yesterday I rage-quitted Windows 10 for its constant blue-screening.
None of my games would work under the Linux distro I installed.
So now I have re-installed Windows 10 with the vain hope of it working fine.
One thing I didn’t actually think about during my immature rage yesterday, was to debug the issue – first with the hardware. So apparently RAM is a major contributor towards the Blue Screen Of Death, as it is affectionately known, so I thought that would be a good place to start.
At the time of writing I have hoovered out my pc base, removed and blew dust from the ram slots, then re-installed. I also disabled the CPU unlock in my BIOS due to a new warning on my P.C. during boot.
I have just seen the music video for this song and it has somehow made me love the song even more. Such a powerful song, and powerful delivery, make this one of my all time favourite songs I think.
On June the 25th, 2008 I went with some friends of mine to watch Radiohead play in Victoria Park in London. The were touring in support of their album “In Rainbows”, and in support of them was a then little-known artist called Bat for Lashes.
It is a huge regret of mine now that I didn’t pay more attention to her during her set. At the time I think she was still yet to release her first full-length album so in retrospect this seems to have been a really special show.
Since that day I have re-discovered her through her first two albums, “Fur and Gold” and “Two Suns”, and then her following album “The Haunted Man”. But it is her latest offering, the recently released “The Bride”, that I am now writing about.
Dark Hymns
The songs on this gorgeous album feel like dark hymns – dark and beautiful. They mesmerized me from the get go and I don’t think they’ll be letting go any time soon.
When singing, her voice reminds me of the late Sandy Denny; while in the spoken poem “Widow’s Peak”, she sparks memories of one of Nico’s first albums. These attributes of her’s plant her firmly in a position that is highly unique in today’s popular music scene.
More than a concept album
Indeed this is a concept album. Taken from wikipedia:
According to The Bride’s press release, the work is a concept album that follows the story of a woman, whose fiancé dies in a car crash on the way to their wedding. The album follows her as she decides to go on the honeymoon alone and her emotions as she deals with the tragedy.[5] Khan commented “the trauma and the grief from the death of Joe, the groom, … [is] … more of a metaphor and it allows me to explore the concept of love in general, which requires a death of sorts.”
Wikipedia
But not only is it a concept album, but the concept as a whole has been taken beyond the recorded medium. During initial tour dates in promotion of the album she performed within churches and asked her audience to come dressed in formal wear. This idea of taking a musical idea beyond simply the album has always interested me, since first hearing and seeing “The Wall” by “Pink Floyd”.
Song by Song
The album opens with the optimistic “I do”, which is where we meet our heroine, “The bride”. “I do” conjures up imagery of a bride singing to herself with an accompanying harp – the main instrument in the song. However we do get a subtle low string in there which gives that sense of foreboding of the tragedy that is pending.
The next chapter in the tale is “Joe’s Dream”, which starts us down the dark sound of the album with a sinister 3-note guitar riff and a distant thundering marching-like drum sound. These songs are soundscapes that you can close your eyes and escape into.
“In god’s house” just keeps upping the stunning arrangements that this album seems to keep presenting. Bat for Lashes always seems to create such unique soundscapes with her music and hearing this third song on the album reassured me that she still has the touch.
In God’s house I do wait For my love on our wedding day Dewy eyes and lashes long for my love But I’m feeling something’s wrong
What’s this I see? My baby’s hand on the wheel What’s this I see? Fire Fire
“In God’s House” from the album “The Bride”
The albums fifth song, “Sunday Love”, takes a slight left turn stylistically. I mentioned earlier about the Radiohead concert I first saw her supporting – well this song’s opening reminded me of something you might hear from Radiohead in their “Amnesiac” / “Kid A” days. Although by this point I am in love with this album’s tone and mythology, this change in pace and sound was a refreshing minor detour.
The faster pacing of “Sunday Love” brings us perfectly into “Never Forgive The Angels” and “Close Encounters” and their slower paces. The latter of the two has a great display of Natasha Khan’s ability to bring an uplifting feeling out of the Bride’s mourning.
Two thirds into the album and we come to the spoken word “Widow’s Peak” as mentioned earlier. This choice of having a spoken word section was something I also loved on Lana Del Rey’s album Honeymoon too. This song has one of my favourite pieces of imagery in the album too, the last line of the following:
There’s a demon loose, a demon loose I can’t get home, I can’t get home For the road is a snake of mist And the shadow of a rebel’s fist His jacket on my back, his bones on the shore But the secret of dreams is to dream up a door A portrait of him, a picture of her A keyhole in a Douglas fir
“Widow’s Peak” from the album “The Bride”
By the time we get to the closing three songs of the album, our heroine is becoming optimistic about the future with the song “I Will Love Again” and the uplifting feel of the penultimate song “In Your Bed”.
The Perfect Marriage
Through writing about this album it has forced me to look deeper into it; into its songs and their words. I am so glad I did choose this album to write about next. “The Bride” is a grand accomplishment and does so much in its 13 songs. At a little under an hour long, this album is the perfect story to listen to when you want to experience more from music than simply the music you hear. If you want to be taken on a story across one woman’s emotional journey from dark beginnings to her destination of acceptance and optimism for the future, then this album is for you.
“The Bride” is the perfect marriage of storytelling, emotion and great song writing.
When I first saw the trailer to this film I had the same thoughts as many fans of the original film – “oh great, another classic film that somebody’s gonna kill off”. But I went to see it today based on the positive reviews I’d seen and do you know what? I actually enjoyed the film.
While I still love the original film way more than the new one, the new film did have many good points to it. One of which was a surprise role played by Jared from Silicon Valley.
One thing I couldn’t help but notice though was the annoying inclusion of cameos from the original cast throughout as well as one certain rock personality. These cameos actually took me out of this film’s experience albeit for a moment – all just to appease die-hard fans no doubt.
Also I couldn’t help but notice how the only woman without qualifications and scientific knowledge was the sassy stereotyped black woman. Maybe I’m looking to deep into it but It’s something that did stick out a bit.
But all in all I did actually enjoy the film. It was a funny Saturday night movie with a few jumps and lots of funny moments throughout.
This single, and indeed its accompanying song, “Better Yet”, is one of the nicest musical surprises I’ve had recently. I’d never heard of Carla Dal Forno before stumbling upon the song “Fast Moving Cars”.
The songs on here are so wonderfully bleak, especially “Better Yet”. I don’t know what it is about the atmosphere that these songs have, or what feelings they evoke, all I know is I can not wait for her debut album.
